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Sweet: SATB Choral Octavo

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Sweet: SATB Choral Octavo

Recorded by Jon Batiste, Pentatonix, and Diane Warren

Words and music by Diane Warren / arr. Alan Billingsley

Item: 00-51149

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Description
Jon Batiste teamed up with Pentatonix and legendary songwriter Diane Warren to create a soulful, tasty treat that absolutely grooves! This R&B-inspired, minor-key earworm is a jolt of positive energy with a melody that perfectly complements the message---life is sweet! A variety of voicings ensures that many different choirs can bop along.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081581866
SKU: 00-51149

More about this title

About the Composer: Diane Warren

Diane Warren is a songwriter whose catalog spans film, television, and popular music across multiple decades. Her gift for crafting memorable melodies with emotional directness has made her one of the most prolific and successful songwriters in contemporary music, with numerous award nominations and chart placements across genres.

Warren's work in choral settings brings her signature accessibility and emotional clarity to ensemble singing. Her melodies sit naturally in the voice, and her harmonic sense accommodates the collaborative nature of group performance without sacrificing sophistication or groove.

Why we love this

This is modern popular music that sounds like it belongs in a choir's hands rather than retrofitted for one. The R&B groove and minor-key sensibility give singers something genuinely contemporary to perform, while Diane Warren's melodic gift ensures that the piece remains singable across a range of voice parts. Programming it signals to your audience that choral music isn't confined to classical traditions.

What to expect

Sunshine in a minor key. There's a buoyant, soulful quality to the arrangement that keeps things light despite the introspective harmonic color. The melody hooks instantly, and the supporting voicings create space for each section to contribute something distinctive without anyone getting lost in the texture.

Who it's for

Choirs looking for contemporary repertoire that sits comfortably in the middle-school through adult range. The SATB voicing with textural variety means groups with uneven voice sections can still make this work, and singers at any level will connect with music that feels immediate and current.

How to get the most out of it

  • Balance the melody against the harmonic layers beneath it. The variety of voicings Alan Billingsley created means some singers will support the main line while others fill in rhythmic or harmonic color. Make sure the primary hook cuts through without the accompaniment drowning out the fuller texture.
  • Treat the rhythm section like a rhythm section. Lock the pulse with your altos and tenors on the supporting parts, giving the sopranos and basses the stability they need to deliver the melody and bass movement with confidence.
  • Explore the recorded accompaniment as a rehearsal tool, but also consider whether your choir might benefit from live piano or a rhythm section for performance. The groove of this piece often feels more organic with live accompaniment driving it forward.

How to use it

Pair this with spirituals or soul-influenced sacred music to create a set that explores the emotional range of ensemble singing. It also works beautifully as a closer to a concert or as a bridge between classical and contemporary selections, signaling to your audience that your choir inhabits multiple musical worlds.

Skills your students will build

  • Singing sustained melody against rhythmic accompaniment patterns
  • Balancing individual voice parts within a layered arrangement
  • Interpreting R&B rhythmic and phrasing conventions
  • Reading and performing syncopated rhythms in minor keys
  • Ensemble blend and sectional independence

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