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Sweet: SoundTrax Digital Audio Download

$29.99 USD
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Sweet: SoundTrax Digital Audio Download

Recorded by Jon Batiste, Pentatonix, and Diane Warren

Words and music by Diane Warren / arr. Alan Billingsley

Item: 00-A-00016016

$29.99
Digital Download
Description

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
SKU: 00-A-00016016

More about this title

About the Arranger: Alan Billingsley

Alan Billingsley

Alan Billingsley brings three decades of professional arranging and orchestration across film, television, theme parks, and live performance. His work spans educational choral and instrumental settings alongside commercial recordings and major theatrical productions, including original songs for the Broadway-style musical On Our Way. He holds a degree in music and psychology from Indiana University and maintains an extensive digital recording studio in Los Angeles.

Billingsley's long partnership with The Walt Disney Company has made him a fixture in music education circles, where he regularly conducts clinics at Disneyland's "Magic Music Days." His compositions have earned multiple Grammy Award considerations, and his arrangements are known for their accessibility without sacrificing musical interest. He has also served as music director and pianist for NBC's daytime series "Days of Our Lives" and numerous television appearances and touring productions.

Why we love this

Billingsley's arrangement captures the pop sensibility of the original while writing idiomatically for choir. The SoundTrax recording provides a high-quality reference that helps singers internalize the groove and contemporary sound world. This is the kind of piece that reminds students why they joined choir in the first place.

What to expect

This arrangement captures the smoothness and warmth of the original pop composition while adapting it for choral voices. The orchestration lends a polished, modern sound that feels both intimate and radio-ready.

Who it's for

This is ideal for choirs seeking contemporary repertoire that engages audiences while remaining accessible to mixed-ability singers. It works particularly well for school and community choirs looking to diversify a concert program with a song that resonates across generations.

How to get the most out of it

  • Listen to the recorded accompaniment in rehearsal to lock the rhythmic feel; pop music depends on rhythmic precision and pocket playing rather than metric strictness alone.
  • Emphasize the lyrics and their emotional arc rather than oversinging technically. Billingsley's arrangements thrive on clarity and natural phrasing.
  • Balance blend against the need for each voice part to cut through the accompaniment; in pop settings, some opacity is acceptable if it serves the overall groove.
  • Pay attention to any rhythmic subdivisions or syncopations that differ from the accompaniment recording; have singers mark these in their parts during study.

How to use it

Program this in a pop or secular segment of a spring concert, or pair it with other contemporary selections to create a themed set. It also works well as an opener or closer that leaves audiences smiling and engaged.

Skills your students will build

  • Singing contemporary pop idiom with authentic style and phrasing
  • Tracking and responding to modern harmonic language and chord changes
  • Balancing ensemble blend with the rhythmic independence required in pop textures
  • Intonation in passages with close voice leading common to pop arrangements

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