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Sweet: Choral SoundPax

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Sweet Cover Image

Sweet: Choral SoundPax

Recorded by Jon Batiste, Pentatonix, and Diane Warren

Words and music by Diane Warren / arr. Alan Billingsley

Item: 00-51153

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Description
Jon Batiste teamed up with Pentatonix and legendary songwriter Diane Warren to create a soulful, tasty treat that absolutely grooves! This R&B-inspired, minor-key earworm is a jolt of positive energy with a melody that perfectly complements the message---life is sweet! A variety of voicings ensures that many different choirs can bop along.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081581903
SKU: 00-51153

More about this title

About the Composer: Diane Warren

Diane Warren is one of the most prolific songwriters in contemporary music, with a catalog spanning film, television, and popular recording artists. Her gift for crafting universally resonant melodies and emotionally direct lyrics has earned her multiple Grammy nominations and Academy Award recognition, making her a trusted voice across genres from pop to R&B.

Warren's work in choral settings brings that same accessible sophistication to ensemble singing. When she writes for choirs, she understands how to balance individual expression with collective power—a skill that shows clearly in "Sweet," where the melodic hook sits perfectly in the voice and the harmonic support allows singers of different abilities to find their place.

Why we love this

This piece arrives with built-in cultural momentum (Batiste and Pentatonix bring real credibility to the collaboration) while remaining genuinely singable and fun. The minor-key R&B groove gives your choir permission to sound contemporary and soulful without requiring vocal gymnastics, and the variety of voicings means you're not locked into one soprano-heavy arrangement. It's a straight programming win: instantly recognizable, energizing, and appropriate for mixed-ability ensembles.

What to expect

Warm and infectious. The minor key keeps the energy introspective and grounded, while the R&B groove lifts everything skyward. There's a confident joy underneath the grooviness—the kind of positive energy that spreads from stage to audience without ever feeling saccharine or forced.

Who it's for

Any choir ready to program contemporary pop with soul and attitude. The multiple voicing options make it accessible to singers ranging from community choirs to strong high school and college ensembles. Mixed groups particularly benefit from the flexibility built into this arrangement.

How to get the most out of it

  • Let the rhythm section drive the pocket. Your singers should feel locked into a laid-back groove rather than pushing the beat forward; the sweetness comes from sitting slightly behind the pulse.
  • Shape the melody with jazz phrasing inflection (slide into sustained notes, lean on chord tones) rather than classical diction. This is a soul tune, so allow your singers to breathe where the lyric naturally falls rather than at bar lines.
  • Balance the harmonic voices so the chord colors land clearly. In R&B voicings, suspended notes and chromaticism matter; precision here lifts the arrangement from competent to soulful.
  • Use the recorded accompaniment as a model for tempo and feel, then consider pulling it back in rehearsal to listen to unaccompanied balance. You'll hear any tuning issues instantly, and your singers will build confidence owning the harmony.

How to use it

This works beautifully as a concert closer or a mid-set energy shift in a pop or contemporary program. Pair it with other Diane Warren compositions or other SoundPax titles for a cohesive set that keeps the sound fresh and the audience engaged. It also serves as an approachable entry point for choirs exploring R&B and pop idioms.

Skills your students will build

  • R&B phrasing and rhythmic interpretation
  • Voice leading in modern harmonic voicings (suspended chords, chromaticism)
  • Ensemble groove and pocket awareness
  • Stylistically appropriate diction and articulation for pop/soul
  • Reading multiple arrangement variations and adapting to different voicing options

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