Spellbound Cover Image

Spellbound: SSAA Choral Octavo

$2.05 USD
Sale price  $2.05 USD Regular price 
Skip to product information
Spellbound Cover Image

Spellbound: SSAA Choral Octavo

Words and music by David Lantz III

Item: 00-48865

Need it now?

Buy Digital Version
$2.05
Shipped

One moment…

Description
Winter programming at its finest! A rare find for four-part mixed or treble choirs. This original poetic text recounts the sheer beauty of snowflakes floating to earth in a winter paradise. A gently lilting tempo, the ebb and flow of a graceful melody, and some closely spaced cluster chords create an artistic soundscape that will challenge and engage even the most accomplished choristers. Outstanding performances are the result of outstanding rehearsals, and this piece contains the depth for both. "Nature, not to be outdone, leaves one and all . . . spellbound."

Spellbound: SSAA Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081561899
SKU: 00-48865

More about this title

About the Composer: David Lantz III

David Lantz III

David Lantz III brings twenty years of classroom experience and deep compositional skill to every piece he writes. A public school vocal music director in Pennsylvania, he has published roughly 500 compositions across sacred and secular genres with major U.S. publishers, and his work spans orchestra, symphonic band, jazz ensemble, and chamber settings. Beyond composing, Lantz works as a music editor and engraver, directs a church choir, and performs regularly as a bassist and vocalist in pop and jazz contexts.

His musical household mirrors his versatility. Lantz shares compositional work with his wife, Marti Lunn Lantz, and they have raised five musically active children. This immersion in both pedagogy and family musicianship shapes his understanding of what singers need to learn and what audiences need to hear.

Why we love this

Lantz writes with genuine understanding of what four-part treble choirs can achieve without oversimplifying the musical content. The cluster harmonies and carefully shaped melody create substantial rehearsal challenges that yield performances with real artistry, not just competence. The poetic text about winter beauty pairs perfectly with the musical language, making this a standout choice when you need something that satisfies both the singers and the audience.

What to expect

The piece unfolds like watching snow fall on a still winter landscape. Gentle motion, delicate and unhurried, carries singers through graceful melodic lines while the cluster harmonies create an impressionistic shimmer beneath. There is stillness here, but not emptiness; instead, it feels contemplative and visually rich, inviting listeners into a quiet moment of natural wonder.

Who it's for

This octavo suits treble choirs and four-part mixed ensembles at the intermediate to advanced level. Singers need secure intonation and the ability to hear their own part within dense harmonic structures. It works equally well for high school and collegiate choirs, community ensembles, and select middle school groups with strong vocal technique.

How to get the most out of it

  • Shape the melody with the lilting tempo as your guide; avoid pressing forward or dragging, since the piece's grace depends on that rhythmic buoyancy.
  • Balance the cluster chords by rehearsing each voice part separately on those passages first, then bringing them together slowly to hear how they blend rather than clash.
  • Emphasize the text painting in the winter imagery; let the singers connect their vocal choices to the specific words about snowflakes and landscape.
  • Use the recorded accompaniment as a rehearsal tool to ground intonation before moving to unaccompanied singing in performance.

How to use it

Program this as a centerpiece in winter concerts where it can anchor a thematic set about nature and seasons. The artistic depth makes it equally suitable for choral festivals and competitions. Pair it with contrasting material to showcase its introspective character against more rhythmically driving pieces.

Skills your students will build

  • Singing cluster harmonies with accurate intonation and blend
  • Shaping phrasing within a lilting, sustained tempo
  • Connecting textual imagery to vocal expression and dynamics
  • Reading and executing closely spaced harmonies in a choral score

You May Also Like