Spellbound: SATB Choral Octavo
Words and music by David Lantz III
Item: 00-PO-0006656
$2.05
Minimum order quantity: 20 copies
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Description
Winter programming at its finest! A rare find for four-part mixed or treble choirs. This original poetic text recounts the sheer beauty of snowflakes floating to earth in a winter paradise. A gently lilting tempo, the ebb and flow of a graceful melody, and some closely spaced cluster chords create an artistic soundscape that will challenge and engage even the most accomplished choristers. Outstanding performances are the result of outstanding rehearsals, and this piece contains the depth for both. "Nature, not to be outdone, leaves one and all . . . spellbound."
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Additional Details
Series:
Alfred Choral Designs
Publisher:
Alfred Music
Page Count:
12
SKU:
00-PO-0006656
More about this title
About the Composer: David Lantz
David Lantz is a prolific composer whose work spans choral, instrumental, and educational music. His compositions are known for their accessibility paired with genuine artistic depth, making them favorites in school and community choral programs across the country.
Lantz's writing consistently demonstrates a gift for text setting and harmonic sophistication that rewards careful rehearsal without overwhelming singers at any level. His catalog reflects a deep understanding of what makes choral music both singable and memorable.
Why we love this
Lantz has created a winter piece that transcends seasonal obligation. The cluster chords and closely spaced voicing give singers real interpretive work to do while the melody remains emotionally direct, meaning your rehearsals will be as rich as your performances.
What to expect
Serene and contemplative, with moments of quiet wonder. The cluster chords create a shimmering, almost impressionistic texture that captures both the delicate visual beauty of snow and the meditative calm of winter. The gentle lilt keeps the piece from ever feeling heavy or overly intricate.
Who it's for
Directors programming accomplished mixed or treble choirs who want substantive winter repertoire. This piece works equally well for contest and concert contexts, and the poetic text and sophisticated harmonies engage singers who are ready to dig deeper.
How to get the most out of it
- Balance the cluster harmonies by thinking of them as color rather than melody. Each voice contributes equally to the overall sonority, so avoid letting any single line dominate.
- Use the ebb and flow of the melody as your structural guide. Let phrases breathe naturally and shape the gentle dynamics to mirror the image of falling snow.
- Bring the recorded accompaniment into rehearsals once voices are secure independently. This builds confidence and helps singers lock into the accompaniment's rhythmic feel.
- Work vowel unification carefully in the closely spaced voicing sections. Intonation improves dramatically when all four parts match on vowel shape and space.
How to use it
Pair this with other winter selections to create a cohesive thematic set, or open a concert with it to establish an intimate, reflective mood. The recorded accompaniment option makes it practical for both standalone performances and larger winter concert presentations.
Skills your students will build
- Blending closely spaced four-part voicing
- Singing cluster chords with confidence and tuning accuracy
- Shaping phrases to match text imagery and harmonic movement
- Balance and listening within complex harmonic textures