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Spellbound: PianoTrax Digital Audio Download

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Spellbound: PianoTrax Digital Audio Download

By David Lantz III

Item: 00-A-00014806

$9.99
Digital Download
Description

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
SKU: 00-A-00014806

More about this title

About the Composer: David Lantz III

David Lantz III

David Lantz III teaches vocal music in Pennsylvania's public school system while maintaining an active composing career that spans sacred and secular genres. His catalog includes roughly 500 published works distributed across major American publishers, along with compositions for orchestra, symphonic band, jazz ensemble, and chamber ensembles. He works as a music editor and engraver, directs church choirs, and performs regularly as a bassist and vocalist in pop and jazz settings. He lives in northeastern Pennsylvania with his wife, composer Marti Lunn Lantz, and their five musically trained children.

Why we love this

Lantz writes choral music that respects the capabilities and musicianship of high school singers while delivering text-driven, emotionally intelligent arrangements. The combination of a recorded piano accompaniment and concert-ready voicing makes this piece immediately performable without requiring a strong accompanist, freeing rehearsal time for actual singing. Winter programming often defaults to the expected; this piece offers contemporary choral writing with staying power.

What to expect

The piece unfolds with contemporary harmonic language that feels fresh yet accessible, balancing emotional depth with an energy that holds an audience's attention. Lantz's text setting prioritizes clarity and meaning, allowing singers to communicate the narrative rather than disappear into technical difficulty.

Who it's for

High school and college SATB choirs performing at concerts, festivals, and competitions will find a modern secular piece that showcases vocal blend and musicianship without excessive technical demand. Directors seeking repertoire that engages audiences during winter programming while remaining practical for rehearsal-constrained ensembles benefit from both the quality of Lantz's writing and the accompaniment resource.

How to get the most out of it

  • Layer the accompaniment into full rehearsals early so singers can lock the harmonic framework before refining vowels and blend. The recorded track removes the guesswork about tempo and allows everyone to develop confidence around the piano part.
  • Balance the SATB texture by testing whether any single voice line dominates the accompaniment. If so, adjust dynamic markings in that part or redistribute the melodic material to distribute interest across the ensemble.
  • Map the text underlay carefully with your singers before performance; clear diction and intentional phrasing will distinguish this arrangement from a note-correct reading.
  • Prepare the transition points between sections by conducting them without the accompaniment track first. This builds independence and prevents the recorded piano from carrying the ensemble through structural shifts.

How to use it

This works effectively as a concert centerpiece or festival selection that demonstrates your ensemble's ability to handle contemporary idiom with musicality. Pair it alongside a contrasting spiritual or classical work to show range, or program it in a set of modern secular pieces that highlights your singers' versatility.

Skills your students will build

  • Contemporary harmonic language and non-traditional voice leading
  • Clear text projection and communication in secular repertoire
  • Singing independently with recorded accompaniment while maintaining ensemble cohesion
  • SATB balance in modern choral writing

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