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Songs of the Far East for Solo Singers: Medium Low Voice CD

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Songs of the Far East for Solo Singers Cover Image

Songs of the Far East for Solo Singers: Medium Low Voice CD

10 Asian Folk Songs Arranged for Solo Voice and Piano for Recitals, Concerts, and Contests

Arr. Lois Brownsey, Vicki Tucker Courtney, Ruth Morris Gray, Marti Lunn Lantz, Jonathan Lim, Sonja Poorman, Ruth Elaine Schram, Michael Scott, and Douglas E. Wagner

Level: Jr. High to Adult

Item: 00-43488

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Description
This exquisite collection of vocal solos features folk songs from China, Japan, Korea, Malaysia, Taiwan, and Thailand. Appropriate for both developing singers and mature vocalists, each of the 10 beautiful arrangements is sung largely in English, and a phonetic pronunciation guide is included for the phrases in Asian languages. Titles: Arirang * Burung Kakak Tua * Flower Drum Song * High Green Mountain * Japanese Snow Song * Jasmine Flower * Kangding Love Song * Loy Krathong * Sakura * Uji River.

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Additional Details
Series: For Solo Singers
Publisher: Alfred Music
UPC: 038081490281
SKU: 00-43488

More about this title

About the Arranger: Lois Brownsey

Lois Brownsey

Lois Brownsey (Heckman) is rooted in Philadelphia's musical traditions, where she studied at Temple University and the Guitar Workshop before establishing herself as a versatile performer across pop, rock, and blues ensembles. Her collaborative partnership with Marti Lunn Lantz spans decades and has produced numerous choral works and song collections with Alfred Music, many of which explore multicultural themes and seasonal repertoire. Beyond songwriting, Brownsey has contributed vocals and instrumentation to commercial projects for major brands and currently operates Red Rock recording Studios in Pennsylvania's Pocono Mountains alongside her husband, recording engineer Kent Heckman.

Brownsey and her collaborators on this collection—including Ruth Elaine Schram, Jonathan Lim, Douglas E. Wagner, and others—share a deep commitment to making Asian folk traditions accessible to English-speaking singers. Her arrangement credits across this collection reflect her ability to balance authenticity with vocal practicality, ensuring that material remains singable while honoring the character of its source cultures.

Why we love this

This collection bridges cultural geography and vocal accessibility in a way that serves multiple educational goals at once. Each arrangement respects the melodic DNA of its source while making the material genuinely singable for developing voices, and the phonetic guides remove a common barrier to exploring repertoire outside the Western art song tradition. Whether you're building a culturally representative concert program, preparing a student for festival competition, or expanding someone's expressive range, these songs deliver both artistic substance and practical usability.

What to expect

These arrangements open windows into musical worlds shaped by centuries of tradition. The melodies carry a lyrical quality that feels both poignant and approachable, while the orchestrations support the singer without overwhelming the inherent beauty of each folk song.

Who it's for

This collection serves developing singers working toward artistic maturity as well as experienced vocalists seeking repertoire with cultural depth and recital-ready arrangements. Junior high students through adults will find voices suited to their range and technical level, making it equally valuable in private studio settings and ensemble-based vocal programs.

How to get the most out of it

  • Study the phonetic pronunciation guide thoroughly before rehearsal; vowel color in Asian languages often differs from English, and familiarity prevents last-minute scrambling during performance.
  • Let the accompaniment establish the character of each song's origin culture; listen to how the arrangements use instrumental color and rhythmic emphasis, then shape your phrasing to sit naturally within that context.
  • Pay close attention to where the English text transitions into Asian language phrases; these moments deserve particular care in diction and emotional continuity so the shift feels organic rather than abrupt.

How to use it

Create a concert segment exploring music across Asia, programming these solos alongside instrumental works or choral pieces from the same regions for cultural coherence. They also work well as recital selections when a vocalist wants to demonstrate stylistic range and cultural awareness without stepping into art song repertoire.

Skills your students will build

  • Singing with authentic vowel coloration in non-English phonetic contexts
  • Navigating code-switching between English and Asian language text
  • Interpreting folk melody with cultural sensitivity and historical awareness
  • Building confidence with unfamiliar melodic and harmonic language

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