Songs of the Far East for Solo Singers Cover Image

Songs of the Far East for Solo Singers: Medium High Voice Book

$15.99 USD
Sale price  $15.99 USD Regular price 
Skip to product information
Songs of the Far East for Solo Singers Cover Image

Songs of the Far East for Solo Singers: Medium High Voice Book

10 Asian Folk Songs Arranged for Solo Voice and Piano for Recitals, Concerts, and Contests

Arr. Lois Brownsey, Vicki Tucker Courtney, Ruth Morris Gray, Marti Lunn Lantz, Jonathan Lim, Sonja Poorman, Ruth Elaine Schram, Michael Scott, and Douglas E. Wagner

Level: Jr. High to Adult

Item: 00-43490

$15.99
Shipped

One moment…

Description
This exquisite collection of vocal solos features folk songs from China, Japan, Korea, Malaysia, Taiwan, and Thailand. Appropriate for both developing singers and mature vocalists, each of the 10 beautiful arrangements is sung largely in English, and a phonetic pronunciation guide is included for the phrases in Asian languages. Titles: Arirang * Burung Kakak Tua * Flower Drum Song * High Green Mountain * Japanese Snow Song * Jasmine Flower * Kangding Love Song * Loy Krathong * Sakura * Uji River.

Songs of the Far East for Solo Singers: Medium High Voice Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: For Solo Singers
Publisher: Alfred Music
Page Count: 48
ISBN10: 1-4706-2668-3
ISBN13: 978-1-4706-2668-6
UPC: 038081490304
SKU: 00-43490

More about this title

About the Arranger: Lois Brownsey

Lois Brownsey

Lois Brownsey's background spans classical training, musical theatre, and decades of professional performance across pop, rock, and blues ensembles. A Temple University graduate with roots in Philadelphia's music scene, she performed live from 1973 through 1997 and also lent her voice to commercial work for major clients including AT&T and GMC. Her partnership with Marti Lunn Lantz produced numerous choral collections and song series that have become staples in music education, with particular strength in multicultural repertoire and seasonal works.

Brownsey now resides in Pennsylvania's Pocono Mountains, where she continues as an active presence in arts and community life. She co-owns Red Rock Recording Studios with her husband Kent Heckman, a recording engineer whose work has supported many of the projects published through Alfred Music. Her catalog reflects a lifelong commitment to making diverse musical traditions accessible to developing singers and experienced performers alike.

Why we love this

The arrangement choices here respect the melodic character of each folk tradition while creating genuinely singable English versions that younger singers can access immediately. Rather than feeling like translations imposed on foreign melodies, these readings honor the original spirit of each song while widening the repertoire available at the Jr. High level for singers seeking something beyond standard art song fare.

What to expect

Each arrangement opens a window into a distinct musical landscape, from the contemplative snowfall of Japanese imagery to the celebratory energy of Malaysian and Thai traditions. The collection moves between introspective moments and brighter passages, creating a recital experience that feels both cohesive and varied, with melodies that linger in the ear long after the final note.

Who it's for

This collection serves developing vocalists in Jr. High and beyond who are ready to explore repertoire beyond their native musical tradition, as well as mature singers seeking rich recital material that combines accessibility with genuine cultural substance. Both populations benefit from the generous English text and carefully crafted arrangements that support confident, expressive singing.

How to get the most out of it

  • Consult the phonetic pronunciation guide before your first run-through of pieces with Asian language phrases; marking these lightly in your score will build confidence and accuracy in those sections.
  • Pay attention to the cultural context of each arrangement when preparing; understanding whether a piece celebrates nature, expresses longing, or marks a festival changes how you shape the melody and emotional arc.
  • Let the keyboard accompaniment breathe during introductions and interludes rather than rushing to fill silence; these moments anchor the listener in the world of each song.

How to use it

Program multiple pieces from this collection as a thematic recital set exploring East Asian and Southeast Asian folk traditions, or scatter individual selections throughout a broader concert to add cultural diversity and demonstrate a singer's range. The pieces also work well in festival or competition contexts where judges appreciate thoughtful arrangement and authentic representation of world music.

Skills your students will build

  • Singing with clear diction in English while maintaining legit vowel shapes
  • Accurate pronunciation and comfortable singing of phonetically notated Asian language phrases
  • Sustaining lyrical lines through melodies that don't always follow Western phrase conventions
  • Understanding cultural and musical context as a tool for interpretive decision-making
  • Sight-reading from vocal scores with keyboard accompaniment

You May Also Like