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Songs of the Far East for Solo Singers: Medium Low Voice Book

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Songs of the Far East for Solo Singers Cover Image

Songs of the Far East for Solo Singers: Medium Low Voice Book

10 Asian Folk Songs Arranged for Solo Voice and Piano for Recitals, Concerts, and Contests

Arr. Lois Brownsey, Vicki Tucker Courtney, Ruth Morris Gray, Marti Lunn Lantz, Jonathan Lim, Sonja Poorman, Ruth Elaine Schram, Michael Scott, and Douglas E. Wagner

Level: Jr. High to Adult

Item: 00-43487

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Description
This exquisite collection of vocal solos features folk songs from China, Japan, Korea, Malaysia, Taiwan, and Thailand. Appropriate for both developing singers and mature vocalists, each of the 10 beautiful arrangements is sung largely in English, and a phonetic pronunciation guide is included for the phrases in Asian languages. Titles: Arirang * Burung Kakak Tua * Flower Drum Song * High Green Mountain * Japanese Snow Song * Jasmine Flower * Kangding Love Song * Loy Krathong * Sakura * Uji River.

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Additional Details
Series: For Solo Singers
Publisher: Alfred Music
Page Count: 48
ISBN10: 1-4706-2666-7
ISBN13: 978-1-4706-2666-2
UPC: 038081490274
SKU: 00-43487

More about this title

About the Arranger: Lois Brownsey

Lois Brownsey

Lois Brownsey developed her musical foundation in Philadelphia through formal study at Temple University and training at the Guitar Workshop, complemented by active involvement in musical theatre. Her long creative partnership with Marti Lunn Lantz has produced numerous choral and vocal collections published by Alfred, many centered on multicultural repertoire and seasonal themes. Beyond her work as a composer and arranger, Brownsey spent over two decades performing in clubs and concert venues across the United States and internationally, working across pop, rock, and blues idioms as a vocalist and bassist.

Brownsey currently resides in the Pocono Mountains of Pennsylvania, where she serves as a Celebrant and remains engaged in local arts and political communities. She and her husband Kent Heckman, a recording engineer, operate Red Rock Recording Studios, which has been the production home for numerous Alfred Music projects.

Why we love this

This collection brings substantial musical authenticity to the recital repertoire for developing singers, respecting the melodic character of each folk tradition while making the material genuinely accessible through thoughtful English-language adaptation and clear pronunciation guides. The variety across ten songs means a soloist can program pieces that genuinely suit their voice and mood, rather than settling for generic arrangements, and the range of difficulty within the medium-low tessitura gives flexible programming options across a full year of lessons.

What to expect

Opening this collection is like stepping into ten distinct cultural moments; each arrangement honors the character of its source while creating space for personal interpretation. The English-language singing makes these pieces inviting and singable from the first reading, yet the inclusion of original-language phrases and the phonetic guides remind you that you're connecting with music that has lived in communities for generations.

Who it's for

This book serves both emerging singers still building confidence and more experienced vocalists seeking recital repertoire with cultural depth and musical substance. The medium-low range accommodates baritones, lower mezzo-sopranos, and other voice types often underserved in solo collections, while the mix of songs at varying difficulty levels means singers at different stages of development can find material suited to their current skills.

How to get the most out of it

  • Spend time with the pronunciation guide before rehearsals begin; familiarity with even a few key phrases in the original languages will deepen your connection to each song's cultural roots and authenticity.
  • Allow each arrangement's accompaniment to shape your phrasing and rubato; these settings often contain subtle rhythmic or harmonic details that support the emotional arc rather than simply doubling the vocal line.
  • Consider how the English text sits in your voice. If a phrase feels awkward on a particular note, check whether adjusting your vowel shape or breath placement helps before assuming the arrangement needs change.

How to use it

Feature individual songs across different recital programs to build your soloist's diverse repertoire without overwhelming a single program with thematic unity. Alternatively, select 3-4 pieces from the collection to create a world-music focused recital that showcases range and cultural awareness, pairing them with art songs or musical theatre material that represents your singer's full artistic identity.

Skills your students will build

  • Singing in multiple languages using accurate pronunciation and diction
  • Interpreting folk melodies with emotional authenticity while maintaining clear English diction
  • Understanding cultural and musical context as part of interpretive preparation
  • Navigating varied accompaniment styles and harmonic colors across different folk traditions
  • Building recital stamina through performance of contrasting songs with distinct musical demands

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