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Sonatemi un Balletto: TBB Choral Octavo

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Sonatemi un Balletto Cover Image

Sonatemi un Balletto: TBB Choral Octavo

(Play a Dance for Me)

Music by Giovanni Gastoldi / ed. and arr., with English words, by Patrick M. Liebergen

Item: 00-39739

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Description
This balletti from the Renaissance period should be performed lightly and energetically. Three-part choirs of any gender may choose to sing in Italian or English, a cappella or accompanied. Optional flute and hand drum parts are available free at alfred.com/choralparts.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sonatemi un Balletto: TBB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081444000
SKU: 00-39739

More about this title

About the Composer: Giovanni Gastoldi

Giovanni Gastoldi (circa 1554-1609) was an Italian composer and maestro di cappella whose balletti became some of the most performed secular vocal music of the Renaissance. Working primarily in Mantua, he published multiple collections of these lighthearted, dancelike pieces that were designed for both courtly entertainment and domestic music-making.

Gastoldi's balletti are characterized by simple, singable melodies and rhythmic vitality that made them accessible to amateur musicians while remaining engaging for skilled ensembles. His influence extended across Europe, where his works were reprinted and adapted for generations; many were published with both Italian and English texts, establishing a model for cross-cultural musical exchange that educators still value today.

Why we love this

This arrangement strips away unnecessary complications while preserving the infectious charm that made Gastoldi's balletti endure for over 400 years. The flexibility to perform with or without accompaniment, in either language, and with optional instrumental color means you can shape each rehearsal and performance to match your ensemble's strengths and your concert needs.

What to expect

Buoyant and uncluttered, with the kind of infectious rhythmic energy that makes singers and listeners smile. The harmonic language is direct and consonant, creating a sense of transparency and joy that feels immediate and human.

Who it's for

This octavo suits treble or mixed ensembles of any size who want Renaissance repertoire that sings easily without sacrificing musicianship. It works well for choirs new to a cappella singing, since the straightforward harmony and brief length make it achievable while still being rewarding to perform.

How to get the most out of it

  • Keep the tempo light and dance-like; resist the urge to drag. The energy of a balletto lives in its rhythmic momentum.
  • Balance the three parts carefully so no single voice dominates. In lighter repertoire, clarity of texture matters more than volume.
  • If adding the optional flute and hand drum parts, let those colors accent key phrases rather than double the voices throughout; this keeps the sound transparent.
  • Shape the phrases with slight rubato and attention to the text setting, even when singing in English, to maintain the playful character Gastoldi intended.

How to use it

Program this alongside other secular vocal works to create a "Renaissance courtly life" concert set, or use it as a swift, spirited encore that leaves the audience in good spirits. It also makes an excellent opener for a concert because its short length and accessible character set a welcoming tone before moving into weightier repertoire.

Skills your students will build

  • Part singing in three voices with independent melodic lines
  • Singing a cappella with secure intonation across the ensemble
  • Text expression in both Italian and English
  • Maintaining rhythmic precision in dancelike meters
  • Blend and balance in lightweight, transparent textures

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