Sixteen Tons Sheet Music Preview

Sixteen Tons: Piano/Vocal/Chords

Item: 00-PS-0010814

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Description
Now you can enjoy 86 of the most popular classic country songs ever written from hit-makers Elvis, Alan Jackson, Alabama, Johnny Cash, Willie Nelson, and so many more with the World's Greatest Classic Country Songs, all professionally arranged for Piano/Vocal/Chords.

Titles: Any Day Now (Ronnie Milsap) * Any Time (Eddy Arnold) * Baby, What About You (Crystal Gayle) * Back in the Saddle Again (Gene Autry) * A Boy Named Sue (Johnny Cash) * Chattahoochee (Alan Jackson) * Desperado (Eagles) * Don't It Make My Brown Eyes Blue (Crystal Gayle) * El Paso (Marty Robbins) * Faded Love (Bob Wills/Patsy Cline) * Go Rest High on That Mountain (Vince Gill) * Harper Valley PTA (Jeannie C. Riley) * High Noon (Tex Ritter) * I'm Gonna Sit Right Down and Write Myself a Letter (Willie Nelson/Ronnie Milsap) * It's Five O'Clock Somewhere (Alan Jackson/Jimmy Buffett) * Jambalaya (on the Bayou) (Hank Williams) * Let Me Be There (Olivia Newton-John) * Let Me Tell You About Love (The Judds) * Live Like You Were Dying (Tim McGraw) * Love in the First Degree (Alabama) * Lyin' Eyes (Eagles) * Margaritaville (Jimmy Buffett) * Mr. Bojangles (Nitty Gritty Dirt Band) * Paper Roses (Marie Osmond) * Rhinestone Cowboy (Glen Campbell) * Save the Last Dance for Me (Emmylou Harris/Dolly Parton/Buck Owens) * Stand by Your Man (Tammy Wynette) * Take This Job and Shove It (Johnny Paycheck) * Thank God I'm A Country Boy (John Denver) * The Night They Drove Old Dixie Down (The Band) * Walk Right Back (The Everly Brothers/Anne Murray) * Wasted Days And Wasted Nights (Freddie Fender) * Whole Lot of Shakin' Going On (Jerry Lee Lewis) * Wide Open Spaces (Dixie Chicks) * The Yellow Rose of Texas (Ernest Tubb) * You Don't Know Me (Eddie Arnold) * You Light Up My Life (Debbie Boone/LeAnn Rimes) * You Look So Good in Love (George Strait) * Your Cheatin' Heart (Hank Williams) * and many more.

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Additional Details
Series: World's Greatest
Publisher: Alfred Music
Page Count: 272
SKU: 00-PS-0010814

More about this title

About the Composer: Merle Travis

Merle Travis (1917-1983) was a guitarist, singer, and songwriter who shaped the sound of country music through his innovative fingerpicking technique and prolific songwriting. His compositions, including "Sixteen Tons," became standards of the genre, recorded by countless artists and covered across multiple generations of musicians. Travis's influence extends beyond performance into the DNA of country music itself, making his work essential repertoire for musicians exploring the genre's foundations.

Why we love this

This collection captures 86 of country music's most enduring songs in a single, accessible resource. The piano-vocal-chords format makes it invaluable for pianists accompanying singers, music directors building a country music program, or solo performers looking to expand their repertoire with authentic arrangements. You get everything from narrative storytelling songs like "A Boy Named Sue" to timeless ballads and upbeat numbers that keep audiences engaged.

What to expect

Stepping into the heart of country music across six decades. You'll move from honky-tonk narratives with sharp social commentary to tender love songs, from uptempo celebrations to contemplative ballads. The arrangements honor each song's character while giving pianists room to add their own interpretive touch, making the experience feel both grounded in tradition and fresh.

Who it's for

Pianists and keyboardists who accompany country singers, music directors curating a diverse concert repertoire, and solo pianists building a country music program for recitals or community events. This collection serves anyone who needs reliable, professionally arranged versions of country classics ready to play at rehearsal or performance.

How to get the most out of it

  • Study the chord voicings carefully; many of these songs use jazz-influenced changes typical of classic country arrangements, so fingering decisions affect how smoothly you can navigate key modulations.
  • Match the singer's phrasing rather than adhering strictly to written note values. Country vocal style depends on rhythmic flexibility, and your accompaniment should breathe with the vocalist's interpretation.
  • Use the chord symbols as a guide for improvisation during intros, interludes, and endings. These arrangements work best when the pianist adds personality through comping choices rather than playing only what's written on the staff.
  • Pay attention to tempo markings and any stylistic notes; songs like "Margaritaville" and "Thank God I'm a Country Boy" require distinctly different grooves, and the arrangement should reflect that difference in feel.

How to use it

Build an entire country music concert around selections from this collection, mixing narrative songs with love ballads and up-tempo numbers to create dynamic flow. Alternatively, draw individual songs as needed to complement programs with other genres, or use the breadth of material to support a semester-long unit on American country songwriting and its cultural significance.

Skills your students will build

  • Reading and interpreting chord symbols in jazz and country voicings
  • Accompanying vocalists with sensitive, flexible comping rather than strict note-for-note playing
  • Managing tempo and rhythmic flexibility characteristic of country music phrasing
  • Transposing and adapting arrangements to match a singer's vocal range
  • Building improvisation skills through chord-based accompaniment patterns

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