Bouquet of Roses: Piano/Vocal/Chords
Item: 00-PS-0010816
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Description
Titles: Any Day Now (Ronnie Milsap) * Any Time (Eddy Arnold) * Baby, What About You (Crystal Gayle) * Back in the Saddle Again (Gene Autry) * A Boy Named Sue (Johnny Cash) * Chattahoochee (Alan Jackson) * Desperado (Eagles) * Don't It Make My Brown Eyes Blue (Crystal Gayle) * El Paso (Marty Robbins) * Faded Love (Bob Wills/Patsy Cline) * Go Rest High on That Mountain (Vince Gill) * Harper Valley PTA (Jeannie C. Riley) * High Noon (Tex Ritter) * I'm Gonna Sit Right Down and Write Myself a Letter (Willie Nelson/Ronnie Milsap) * It's Five O'Clock Somewhere (Alan Jackson/Jimmy Buffett) * Jambalaya (on the Bayou) (Hank Williams) * Let Me Be There (Olivia Newton-John) * Let Me Tell You About Love (The Judds) * Live Like You Were Dying (Tim McGraw) * Love in the First Degree (Alabama) * Lyin' Eyes (Eagles) * Margaritaville (Jimmy Buffett) * Mr. Bojangles (Nitty Gritty Dirt Band) * Paper Roses (Marie Osmond) * Rhinestone Cowboy (Glen Campbell) * Save the Last Dance for Me (Emmylou Harris/Dolly Parton/Buck Owens) * Stand by Your Man (Tammy Wynette) * Take This Job and Shove It (Johnny Paycheck) * Thank God I'm A Country Boy (John Denver) * The Night They Drove Old Dixie Down (The Band) * Walk Right Back (The Everly Brothers/Anne Murray) * Wasted Days And Wasted Nights (Freddie Fender) * Whole Lot of Shakin' Going On (Jerry Lee Lewis) * Wide Open Spaces (Dixie Chicks) * The Yellow Rose of Texas (Ernest Tubb) * You Don't Know Me (Eddie Arnold) * You Light Up My Life (Debbie Boone/LeAnn Rimes) * You Look So Good in Love (George Strait) * Your Cheatin' Heart (Hank Williams) * and many more.
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More about this title
Why we love this
This collection gives pianists and vocalists immediate access to the country repertoire that shaped American popular music without requiring separate lead sheets, fake books, or chord charts. The professional arrangements are playable as written for solo performance or collaborative contexts, and the sheer breadth means you can program a coherent set without hunting through multiple books.
What to expect
Opening this collection is like stepping into a jukebox of American storytelling. From heartbreak and resilience to humor and celebration, these 86 songs span decades of country tradition, each one a small window into lived experience. The arrangements honor the melodies while giving performers room to make the music their own.
Who it's for
Pianists and singers preparing recital programs, auditions, or informal performance settings who want immediate access to authentic country standards. This resource also serves music teachers building a repertoire library for voice students or pianists seeking songs with strong harmonic and melodic substance.
How to get the most out of it
- Treat the chord symbols as a guide rather than a strict requirement. If you're singing and accompanying yourself, you can simplify voicings in your left hand while keeping the melody strong and clear in your right.
- Lock in the rhythm pocket early. These songs depend on steady, confident time; work through the accompaniment pattern before adding the vocal line.
- Use the printed lyrics as your primary text. Mark phrase breaks and breath points before your first full run-through to avoid stumbling mid-performance.
- Balance the vocal line so it sits naturally above the piano texture. Avoid the temptation to add too much ornamentation; these melodies carry their own weight.
How to use it
Build an evening of classic country standards by mixing uptempo numbers like 'Take This Job and Shove It' with slower ballads such as 'Go Rest High on That Mountain' and 'Faded Love.' This collection also works beautifully for community sing-alongs, senior center performances, or benefit concerts where country music speaks to a broad audience.
Skills your students will build
- Reading lead sheets and chord symbols in real time
- Balancing vocal melody with keyboard accompaniment
- Interpreting country phrasing and swing conventions
- Managing longer recital programs with consistent stamina
- Sight-reading popular music notation and layout
- Collaborating between vocalist and accompanist