Cool Water: Piano/Vocal/Chords
Item: 00-PS-0010804
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Description
Titles: Any Day Now (Ronnie Milsap) * Any Time (Eddy Arnold) * Baby, What About You (Crystal Gayle) * Back in the Saddle Again (Gene Autry) * A Boy Named Sue (Johnny Cash) * Chattahoochee (Alan Jackson) * Desperado (Eagles) * Don't It Make My Brown Eyes Blue (Crystal Gayle) * El Paso (Marty Robbins) * Faded Love (Bob Wills/Patsy Cline) * Go Rest High on That Mountain (Vince Gill) * Harper Valley PTA (Jeannie C. Riley) * High Noon (Tex Ritter) * I'm Gonna Sit Right Down and Write Myself a Letter (Willie Nelson/Ronnie Milsap) * It's Five O'Clock Somewhere (Alan Jackson/Jimmy Buffett) * Jambalaya (on the Bayou) (Hank Williams) * Let Me Be There (Olivia Newton-John) * Let Me Tell You About Love (The Judds) * Live Like You Were Dying (Tim McGraw) * Love in the First Degree (Alabama) * Lyin' Eyes (Eagles) * Margaritaville (Jimmy Buffett) * Mr. Bojangles (Nitty Gritty Dirt Band) * Paper Roses (Marie Osmond) * Rhinestone Cowboy (Glen Campbell) * Save the Last Dance for Me (Emmylou Harris/Dolly Parton/Buck Owens) * Stand by Your Man (Tammy Wynette) * Take This Job and Shove It (Johnny Paycheck) * Thank God I'm A Country Boy (John Denver) * The Night They Drove Old Dixie Down (The Band) * Walk Right Back (The Everly Brothers/Anne Murray) * Wasted Days And Wasted Nights (Freddie Fender) * Whole Lot of Shakin' Going On (Jerry Lee Lewis) * Wide Open Spaces (Dixie Chicks) * The Yellow Rose of Texas (Ernest Tubb) * You Don't Know Me (Eddie Arnold) * You Light Up My Life (Debbie Boone/LeAnn Rimes) * You Look So Good in Love (George Strait) * Your Cheatin' Heart (Hank Williams) * and many more.
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More about this title
About the Composer: Bob Nolan
Bob Nolan (1911-1980) was a founding member and primary songwriter of the Sons of the Pioneers, one of the most influential vocal groups in American country and western music. Nolan wrote "Tumbling Tumbleweeds" and numerous other standards that defined the genre's sound and storytelling tradition during the 1930s and 1940s.
His compositions reflect the narrative depth and melodic craft that made country music a vehicle for authentic human experience. Nolan's legacy extends to music educators who recognize his work as a bridge between folk tradition and professional songcraft.
Why we love this
This collection brings 86 essential country standards into one accessible resource, sparing you the hunt through dozens of individual octavos and folios. The piano/vocal/chords format lets you serve pianists, singers, and guitarists simultaneously, whether you're accompanying a vocalist or supporting a pianist-driven arrangement in rehearsal or performance.
What to expect
Honest storytelling set to melody. These songs carry the emotional weight of lived experience, whether they're mining heartbreak, celebrating resilience, or capturing a specific moment in time. The arrangements honor the songs' roots while giving performers room to shape them with their own interpretation and feeling.
Who it's for
Solo pianists and singers performing country standards in recital, music theater programs, or informal performance settings. Accompanists and pianists supporting vocalists in lessons, auditions, or small ensemble contexts. Any musician wanting to build fluency with the country songbook without acquiring dozens of individual publications.
How to get the most out of it
- Balance the vocal line with harmonic support from the piano; treat the chord symbols as a foundation for texture rather than strict voicing instructions, allowing flexibility based on your pianist's comfort and the song's character.
- Study the lyrical phrasing of recorded versions to capture the idiomatic delivery that defines country storytelling; the printed rhythm notation tells you when to breathe, but the recorded performance teaches you how the song breathes.
- Use the chord symbols to guide guitar accompaniment if you're adding instrumentation beyond piano, giving guitarists room to voice chords authentically to country tradition.
- Establish clear communication between vocalist and pianist about tempo and rubato, especially in ballads like "El Paso" and "Go Rest High on That Mountain," where emotional pacing matters more than metronomic precision.
How to use it
Build a country-themed recital or cabaret featuring selections from this collection, programming narrative-driven songs like "A Boy Named Sue" and "Harper Valley PTA" alongside emotional ballads for dynamic arc. Pair this with instrumental country arrangements or fiddle tunes to create a complete genre immersion for students exploring American musical identity.
Skills your students will build
- Reading lead sheets and chord symbols in multiple keys and song forms
- Interpreting lyrical phrasing and idiomatic vocal delivery in country style
- Accompanying singers while managing harmonic support and rhythmic flexibility
- Recognizing and playing the narrative arc of story songs
- Coordinating with guitarists, vocalists, and other accompanists using chord-based notation