Don't Fence Me In: Piano/Vocal/Chords
Item: 00-PS-0010846
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Description
Titles: Any Day Now (Ronnie Milsap) * Any Time (Eddy Arnold) * Baby, What About You (Crystal Gayle) * Back in the Saddle Again (Gene Autry) * A Boy Named Sue (Johnny Cash) * Chattahoochee (Alan Jackson) * Desperado (Eagles) * Don't It Make My Brown Eyes Blue (Crystal Gayle) * El Paso (Marty Robbins) * Faded Love (Bob Wills/Patsy Cline) * Go Rest High on That Mountain (Vince Gill) * Harper Valley PTA (Jeannie C. Riley) * High Noon (Tex Ritter) * I'm Gonna Sit Right Down and Write Myself a Letter (Willie Nelson/Ronnie Milsap) * It's Five O'Clock Somewhere (Alan Jackson/Jimmy Buffett) * Jambalaya (on the Bayou) (Hank Williams) * Let Me Be There (Olivia Newton-John) * Let Me Tell You About Love (The Judds) * Live Like You Were Dying (Tim McGraw) * Love in the First Degree (Alabama) * Lyin' Eyes (Eagles) * Margaritaville (Jimmy Buffett) * Mr. Bojangles (Nitty Gritty Dirt Band) * Paper Roses (Marie Osmond) * Rhinestone Cowboy (Glen Campbell) * Save the Last Dance for Me (Emmylou Harris/Dolly Parton/Buck Owens) * Stand by Your Man (Tammy Wynette) * Take This Job and Shove It (Johnny Paycheck) * Thank God I'm A Country Boy (John Denver) * The Night They Drove Old Dixie Down (The Band) * Walk Right Back (The Everly Brothers/Anne Murray) * Wasted Days And Wasted Nights (Freddie Fender) * Whole Lot of Shakin' Going On (Jerry Lee Lewis) * Wide Open Spaces (Dixie Chicks) * The Yellow Rose of Texas (Ernest Tubb) * You Don't Know Me (Eddie Arnold) * You Light Up My Life (Debbie Boone/LeAnn Rimes) * You Look So Good in Love (George Strait) * Your Cheatin' Heart (Hank Williams) * and many more.
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More about this title
About the Composer: Cole Porter
Cole Porter (1891-1964) was an American composer and lyricist who defined the sophisticated sound of Broadway and popular song for decades. His melodies combined memorable hooks with witty, literate lyrics, and his harmonic language influenced generations of songwriters across multiple genres. Though Porter is primarily known for his theatrical and jazz-influenced compositions, his impact on American songwriting extended far beyond the stage, shaping how musicians approach melody, rhythm, and lyrical storytelling.
Why we love this
This collection spans eight decades of country songwriting across 86 titles, giving pianists and vocalists immediate access to the essential repertoire that defined the genre. The professional arrangements stay true to each song's character while remaining playable for intermediate musicians, making this ideal for building a practical performance library without hunting down individual lead sheets.
What to expect
These songs carry the storytelling warmth and emotional directness that made country music enduring. Whether you're navigating heartache, celebration, or nostalgic reflection, the melodies and chord progressions honor each song's original character while opening up to fresh interpretation.
Who it's for
Pianists and vocalists preparing country standards for recitals, coffeehouse performances, or casual settings will find this collection's breadth and accessibility invaluable. Teachers pairing intermediate piano students with singers, or working with adult learners exploring country repertoire, gain 86 ready-to-use arrangements that require minimal preparation.
How to get the most out of it
- Study the chord symbols carefully before playing through; country progressions often use unexpected substitutions that add harmonic color, so voicing them intentionally will deepen the arrangement's authenticity.
- Tailor your vocal phrasing to match the original recording's rhythmic feel rather than treating the melody as strictly notated; country storytelling thrives on rhythmic flexibility and lyrical emphasis.
- Use the accompaniment figures as written to establish regional flavor and era appropriateness (honky-tonk grooves versus contemporary country ballads require different touches at the keyboard).
- Balance melody and harmony in your chord voicings so the singer's lyrics remain the focal point; resist the urge to overload the piano part with elaborate inner-voice movement.
How to use it
Curate a country-themed recital by selecting songs that share a thematic thread (love and loss, humor, regional pride) rather than programming them chronologically; the variety of artists and eras ensures the concert stays engaging. Solo pianists can perform these as standalone pieces or use them as opening numbers before moving into classical repertoire, since many are short enough to function as effective transitions.
Skills your students will build
- Reading and voicing chord symbols in traditional country harmonic contexts
- Accompanying a vocalist while maintaining conversational tempo flexibility
- Recognizing and executing stylistic idioms specific to country music (walking bass lines, shuffle rhythms, ballad rubato)
- Building chord fluency across multiple keys and progressions common to the genre