Sittin' In with the Big Band, Volume I Cover Image

Sittin' In with the Big Band, Volume I: Guitar Book & CD

$14.95 USD
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Sittin' In with the Big Band, Volume I Cover Image

Sittin' In with the Big Band, Volume I: Guitar Book & CD

Jazz Ensemble Play-Along

Arr. various

Grade: 2 (Easy to Medium Easy)

Item: 00-27545

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Description
Sittin' In with the Big Band, Vol. I is written at the easy to intermediate-easy level. It provides an opportunity to play along with a professional jazz ensemble to improve your playing, whenever you want. As you play with and listen to the outstanding players in the band, you'll learn about blend, style, phrasing, tone, dynamics, technique, articulation, and playing in time, as well as a variety of Latin, swing, ballad and rock styles. Performance tips and suggestions are included in each book. Books are available for alto saxophone, tenor saxophone, trumpet, trombone, piano, bass, guitar, and drums. Features include 11 big-band charts arranged by a variety of top writers, solo improvisation opportunities, and a play-along CD with demo tracks.

Titles: Vehicle * Sax to the Max * Nutcracker Rock * Fiesta Latina * Now What * Goodbye My Heart * Two and a Half Men * Burritos to Go * Drummin' Man * Swingin' Shanty * and Play That Funky Music. This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sittin' In with the Big Band, Volume I: Guitar Book & CD comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Sittin' In with the Big Band
Publisher: Alfred Music
Page Count: 28
ISBN10: 0-7390-4519-9
ISBN13: 978-0-7390-4519-0
UPC: 038081293158
SKU: 00-27545
Instrumentation: Guitar

More about this title

Why we love this

The recorded ensemble tracks transform solo practice into genuine collaboration, letting guitarists hear how their voice sits in a real big band context. You get 11 different charts across multiple styles (swing, Latin, ballad, rock) without needing to hire an actual band, making this an affordable way to develop ensemble musicianship and stylistic fluency.

What to expect

You're on stage with a tight band that knows exactly what it's doing. The rhythm section locks in, the horns punch through with personality, and your guitar part weaves into the fabric with purpose. Each tune pulls you through a different jazz world, from the funky propulsion of 'Drummin' Man' to the lush sophistication of a ballad.

Who it's for

Jazz guitarists ready to move beyond solo practice and learn how to blend and communicate in an ensemble setting. This works equally well for self-directed learners seeking real-time feedback and for guitar students whose teachers want to emphasize listening, time feel, and stylistic flexibility.

How to get the most out of it

  • Study the demo tracks first to hear the arrangement, your part's role in the texture, and the overall feel before attempting to play along.
  • Lock into the rhythm section by listening intently to the bass and drums; they anchor every style on this recording, from the Latin grooves to the swing feels.
  • Work the improvisation opportunities in sections like 'Sax to the Max' and 'Play That Funky Music' by first learning the changes at a comfortable tempo, then gradually matching the recording's speed.
  • Pay attention to the dynamics and articulation cues in the book; the professional players on the CD will highlight nuances in phrasing that transform a merely competent part into a musicianly one.

How to use it

Assign one tune per week over an 11-week unit on jazz styles, pairing specific charts with listening assignments and ensemble rehearsals if you teach in a school setting. Solo guitarists benefit from using this as their primary repertoire during the months when they're not preparing for formal recitals, since the play-along format makes consistent practice feel interactive rather than isolated.

Skills your students will build

  • Playing in time with a recorded rhythm section across tempos and feels
  • Recognizing and responding to swing, Latin, ballad, and rock grooves
  • Blending tone and dynamics within an ensemble texture
  • Reading chord changes and chord melody arrangements
  • Improvisation over jazz changes in multiple keys and styles
  • Listening to and learning from professional players in real time
  • Phrasing and articulation specific to jazz idioms

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