Sittin' In with the Big Band, Volume I Cover Image

Sittin' In with the Big Band, Volume I: Trombone Book & Online Audio

$15.99 USD
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Sittin' In with the Big Band, Volume I Cover Image

Sittin' In with the Big Band, Volume I: Trombone Book & Online Audio

Jazz Ensemble Play-Along

Arr. various

Grade: 2 (Easy to Medium Easy)

Item: 00-27536

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Description
Sittin' In with the Big Band, Vol. I is written at the easy to intermediate-easy level. It provides an opportunity to play along with a professional jazz ensemble to improve your playing, whenever you want. As you play with and listen to the outstanding players in the band, you'll learn about blend, style, phrasing, tone, dynamics, technique, articulation, and playing in time, as well as a variety of Latin, swing, ballad and rock styles. Performance tips and suggestions are included in each book. Books are available for alto saxophone, tenor saxophone, trumpet, trombone, piano, bass, guitar, and drums. Features include 11 big-band charts arranged by a variety of top writers, solo improvisation opportunities, and a play-along recording with demo tracks.

Titles: Vehicle * Sax to the Max * Nutcracker Rock * Fiesta Latina * Now What * Goodbye My Heart * Two and a Half Men * Burritos to Go * Drummin' Man * Swingin' Shanty * and Play That Funky Music. This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sittin' In with the Big Band, Volume I: Trombone Book & Online Audio comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Sittin' In with the Big Band
Publisher: Alfred Music
Page Count: 28
ISBN10: 0-7390-4516-4
ISBN13: 978-0-7390-4516-9
UPC: 038081293127
SKU: 00-27536
Instrumentation: Trombone

More about this title

Why we love this

Trombonists get to hear themselves in a full professional big band context, which is something most students never experience outside of rehearsal. The eleven charts span genuine jazz styles—swing, Latin, ballad, rock—so players aren't just noodling along; they're learning how professionals voice solos and shape phrases in real time. The blend and phrasing feedback you get from listening to your own sound against that ensemble is invaluable.

What to expect

Sitting in with a band that knows what it's doing. You'll feel the swing groove lock in under your slide, hear how your voice fits into a full section voicing, and get the rush of soloing over a real rhythm section that doesn't rush or drag. There's a professional polish to the accompaniments that elevates how you listen to your own playing.

Who it's for

Trombonists at the early intermediate level who want to experience playing with a professional jazz ensemble without waiting for their school's jazz band rehearsal. Students serious about developing jazz tone, phrasing, and style will benefit from the chance to play repeatedly with the same recording and hear their own growth.

How to get the most out of it

  • Lock into the rhythm section's pocket rather than rushing ahead. The online audio is steady, so use it as your anchor for understanding how trombone sits in the ensemble texture.
  • Listen critically to your tone against the recorded band. Note where your articulation matches the ensemble and where it stands out; adjust blend accordingly.
  • For the solo sections, study the demo tracks first to hear how the arranger imagines the phrasing, then try your own interpretation before recording yourself.
  • Pay attention to the dynamic shapes written in the score. Big band charts use dynamics to sculpt each section's contribution to the overall sound.

How to use it

Use this as a rehearsal tool between jazz band rehearsals, or as a solo study supplement for students building jazz vocabulary outside ensemble class. The variety of styles and charts makes it work well as a performance vehicle if you're building a student jazz recital or looking to develop sight-reading chops across multiple arrangements in one focused unit.

Skills your students will build

  • Jazz phrasing and articulation across swing, Latin, ballad, and rock styles
  • Tone blending and balance within a full jazz ensemble texture
  • Rhythmic precision and pocket awareness against a professional rhythm section
  • Solo improvisation over jazz changes
  • Reading and interpreting big band chart conventions and dynamics
  • Listening and self-assessment in real time with professional playback

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