Singin' in the Rain Cover Image

Singin' in the Rain: Choral Octavo SoundTrax CD

$27.99 USD
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Singin' in the Rain Cover Image

Singin' in the Rain: Choral Octavo SoundTrax CD

Music by Nacio Herb Brown, lyrics by Arthur Freed / arr. Ruth Elaine Schram

Item: 00-CD9767

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Description
Who can hear this wonderful show tune without picturing Gene Kelly singin' and dancin' in the driving rain, umbrella in hand! Ruth has captured the wonderful sense of the original and added her own touch of lovely voice-leading to make the most of this extraordinary song. A touch of movement could enhance any performance.

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Additional Details
Publisher: Alfred Music
UPC: 654979179894
SKU: 00-CD9767

More about this title

About the Composer: Nacio Herb Brown

Nacio Herb Brown (1896-1964) was a prolific composer whose melodies defined the golden age of American film music. Working primarily in Hollywood during the 1920s and 1930s, Brown crafted songs that were instantly memorable and emotionally direct, with an instinct for what would resonate with audiences. His gift lay in creating tunes that felt both sophisticated and universally singable, qualities that have allowed his work to endure in concert halls and classrooms for nearly a century.

Brown's catalog includes some of the most beloved standards in American music. Beyond "Singin' in the Rain," he wrote "You Were Meant for Me," "The Wedding of the Painted Doll," and numerous other film songs that showcased his ability to blend theatrical flair with genuine melodic warmth. For music educators, his work represents a bridge between classical training and popular song, offering arrangements that reward careful musicianship while remaining approachable to diverse ensembles.

Why we love this

Ruth Elaine Schram's arrangement captures what makes this standard endure: the soaring, confident melody that audiences instantly recognize, paired with voice-leading that feels fresh rather than nostalgic. The recorded accompaniment allows directors to focus entirely on the emotional shape of the piece rather than managing piano balance, and the suggestion of choreographic movement opens doors for cross-curricular collaboration without requiring it.

What to expect

This arrangement radiates the same buoyant confidence of the original film moment: the exhilaration of being alive in the moment, even in stormy circumstances. There's a theatrical warmth to Schram's voice-leading that invites singers to inhabit the emotional landscape rather than simply execute notes, creating a performance that feels genuinely felt rather than merely competent.

Who it's for

Choirs at the middle school level and beyond will find this accessible and rewarding. It works equally well for community choirs, youth ensembles, and high school groups seeking substantial repertoire that connects with audiences who recognize and love the song.

How to get the most out of it

  • Balance the melody so it projects with clarity and warmth; this tune carries itself through genuine tunefulness, not through forcing.
  • Shape the phrases with the accompaniment's rhythmic pulse, allowing the recorded track to anchor your tempo while you attend to breath and text clarity.
  • Let the joy be effortless rather than frantic; the song's optimism comes through pacing that feels conversational and unrushed.
  • If you incorporate movement, keep it subtle and purposeful; even a gesture reflecting the umbrella and rain imagery can enhance the visual storytelling without overwhelming the singing.

How to use it

Program this as a centerpiece in a concert focused on American standards or film music, or pair it with other mid-century American repertoire to create a thematic program. It also works beautifully as a closing piece before encores, given its immediate appeal and the lift it provides an audience.

Skills your students will build

  • Balancing melody and accompaniment in a full harmonic texture
  • Sustaining legit tone quality across a theatrical phrase
  • Following recorded accompaniment with rhythmic precision while maintaining musical independence
  • Interpreting text to deepen emotional connection to a well-known song
  • Coordinating ensemble movement with choral singing

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