Singin' in the Rain Sheet Music Preview

Singin' in the Rain: SATB Choral Octavo

Music by Nacio Herb Brown, lyrics by Arthur Freed / arr. Ruth Elaine Schram

Item: 00-PO-0002516

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Description
Who can hear this wonderful show tune without picturing Gene Kelly singin' and dancin' in the driving rain, umbrella in hand! Ruth has captured the wonderful sense of the original and added her own touch of lovely voice-leading to make the most of this extraordinary song. A touch of movement could enhance any performance.

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Additional Details
Series: Alfred Archive Edition: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0002516

More about this title

About the Composer: Nacio Herb Brown

Nacio Herb Brown (1896-1964) composed some of the most enduring melodies in American popular song, working primarily during Hollywood's golden age. His gift for creating instantly memorable tunes made him a cornerstone of MGM musicals, where his songs became synonymous with the studio's glamorous output and helped define the sound of 1920s and 1930s entertainment.

Why we love this

Schram's arrangement honors the infectious optimism of the original while treating your singers to genuinely musical voice-leading that gives each part something to sing. The piece captures that cinematic magic without requiring elaborate staging, though even simple movement transforms a good performance into a memorable one.

What to expect

Optimistic, graceful, and brimming with that classic Hollywood elegance. The voice-leading feels natural and singing, never forced, which means your singers will find genuine enjoyment in the part writing even as they deliver a tune the audience already loves.

Who it's for

Singers in community choirs, school choral groups, and church ensembles who appreciate songs with cultural resonance and built-in audience appeal. Any choir seeking a showstopper that doesn't demand enormous technical difficulty will find this arrangement rewarding.

How to get the most out of it

  • Keep the tempo buoyant and consistent; this tune's charm lives in its rhythmic lift rather than dramatic pulls.
  • Balance the melody clearly enough that the audience hears the familiar tune, but let the inner voices bloom through their own moment.
  • Consider what movement might look like before you rehearse it; even a few choreographed gestures with umbrellas or subtle swaying can strengthen the visual storytelling.

How to use it

Program this as a lighter moment during a concert that mixes styles and moods. It works beautifully on pops concerts, holiday programs, or benefit performances where you want to engage the audience with something instantly recognizable yet musically satisfying.

Skills your students will build

  • Balancing melody against harmonic accompaniment
  • Singing with rhythmic precision in a swing-influenced style
  • Coordinating movement with vocal performance
  • Shaping musical lines within a popular song idiom

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