Singin' in the Rain Cover Image

Singin' in the Rain: 2-Part Choral Octavo

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Singin' in the Rain Cover Image

Singin' in the Rain: 2-Part Choral Octavo

Lyric by Arthur Freed, music by Nacio Herb Brown / arr. Mark Hayes

Item: 00-33182

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Description
Grab your umbrellas and your yellow slickers! Everyone will enjoy performing and hearing this novel Mark Hayes arrangement of the well-known song originally featured in the 1952 musical film of the same name.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081360904
SKU: 00-33182

More about this title

About the Composer: Nacio Herb Brown

Nacio Herb Brown (1896-1964) was a prolific composer who shaped the sound of American musical theater and film during Hollywood's golden age. Working primarily in the 1920s and 1930s, Brown composed memorable melodies for stage productions and wrote extensively for early cinema, collaborating with lyricist Arthur Freed to create standards that remain central to the American songbook.

Why we love this

Mark Hayes transforms this film classic into an accessible, energetic arrangement that captures the song's infectious optimism without requiring advanced vocal technique. The 2-part voicing opens the piece to mixed-ability choirs while maintaining genuine musical substance, and the novelty of the subject matter creates natural engagement from rehearsal through performance.

What to expect

Sunshine and motion define this piece. The arrangement captures the song's cinematic charm and optimism, creating a sense of carefree movement that audiences recognize instantly while giving singers the satisfaction of performing something with genuine musical personality.

Who it's for

This arrangement suits middle school through high school mixed choirs, as well as community and church choirs seeking accessible repertoire that engages audiences immediately. The 2-part voicing makes it ideal for developing singers or smaller ensembles that still want contemporary, stylistically interesting material.

How to get the most out of it

  • Commit fully to the joy and lightness of the text. This arrangement thrives on vocal brightness and rhythmic precision; underplaying it lands as tentative rather than tasteful.
  • Balance part independence with blend by having singers find the harmonic center before adding stylistic phrasing. Hayes's arrangement rewards clear voice leading.
  • If using the recorded accompaniment, rehearse with it frequently enough that singers anticipate transitions and tempo shifts rather than following reactively.

How to use it

Program this as a concert opener or second piece to energize an audience and establish an upbeat mood for the evening. It pairs naturally with other pop standards or seasonal programming and works equally well as a spring concert feature or a lighter moment in a diverse musical theater revue.

Skills your students will build

  • Singing sustained lines in a 2-part texture while maintaining rhythmic independence
  • Stylistic interpretation of secular pop material from the musical theater tradition
  • Blend and balance when negotiating the specific harmonic language of Hayes's arrangement
  • Confidence with text declamation and clear articulation in an upbeat, character-driven piece

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