Singers, Arise!: T(T)BB Choral Octavo

Johnson writes concert openers that actually open concerts: the unison fanfare commands the stage immediately, and the accelerating return to the main theme pulls the audience in without requiring years of rehearsal to land securely. The optional trumpet part transforms the ending from solid to spectacular, giving you an easy way to make this piece shimmer when your budget and talent pool allow.

The piece opens with a brass-bright clarity that feels almost ceremonial, as if announcing something worthy of attention. The Latin middle section invites stillness and reflection, a necessary breath before the energy surges back and builds to a majestic conclusion that leaves the audience settled and impressed.

Men's and changing-voice choirs seeking a flexible opener that works across a range of voicing options (TB, TTB, TBB, or TTBB). Directors need a piece that commands attention at the top of a concert or festival performance without excessive rehearsal time or technical demands.

• Lock the tempo of the accelerating section carefully in rehearsal; a metronome or recorded accompaniment will anchor your ensemble as the pulse quickens.
• Bring out the Latin chant section with clear diction and a contemplative dynamic palette to create genuine contrast with the triumphant opening and closing.
• If you add the trumpet part, give it a rehearsal or two with the choir before concert so the ensemble can hear how the brass interlock with the final cadence.
• Shape the unison opening with unified vowel production and breath placement; this is your first impression, so nail the unanimity here.

Position this at the opening of a concert to establish authority and set the tone; its satisfying conclusion won't leave the audience waiting for resolution. It also works well as a festival opener or showcase piece, since the flexible voicing allows you to put your strongest men forward regardless of your voice distribution.

• Ensemble blend and unified vowel production in unison writing
• Contrast in dynamic shaping and character between sections
• Clear diction in Latin text with sustained legit singing
• Accurate tempo control during accelerating passages