Side by Side Sheet Music Preview

Side by Side: 2-Part Choral Octavo

Arr. Jay Althouse

Item: 00-PO-0006613

Digital Download
$2.25

Minimum order quantity: 20 copies

Description
A unique arrangement of one of the all-time great friendship songs . . . unique because it can be performed with a swing beat OR with even eighth notes. The straightforward treatment means it's easy-to-learn in just a few rehearsals so it's perfect for the beginning . . . or the end . . . of the school year. A good choice for movement.

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Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
SKU: 00-PO-0006613

More about this title

About the Arranger: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later honored as a Distinguished Alumnus. His career includes eight years in rights and licensing administration for a major educational music publisher, during which he served on the Executive Board of the Music Publishers Association of America. As a composer, Althouse has over 800 choral works in print across all difficulty levels, performed extensively throughout English-speaking countries. He is a writer member of ASCAP and a consistent recipient of the ASCAP Special Award for his compositions.

Beyond composing, Althouse has collaborated with his wife Sally K. Albrecht on children's musicals and compiled respected vocal solo collections including Folk Songs for Solo Singers. His educational contributions span co-authored books such as The Complete Choral Warm-up Book and Accent on Composers, along with classroom reproducibles like Ready to Read Music and One-Page Composer Bios. A notable collaborative achievement is I Hear America Singing, performed by the San Francisco Girls and Boys Choirs at President Barack Obama's 2009 Inauguration. Althouse resides in North Carolina and serves on the National Advisory Board of the Folk Art Society of America.

Why we love this

The dual-style flexibility sets this arrangement apart: singers can perform with a contemporary swing feel or pure even eighths, giving you freedom to match your rehearsal energy and program aesthetic. Althouse's streamlined writing means genuine learning happens in just a few rehearsals, making this equally valuable for building ensemble cohesion early in the year or adding polish to the final concert calendar. The optional movement possibilities transform a simple friendship anthem into something visually engaging without requiring complex choreography.

What to expect

Warm, inclusive, and straightforward. The arrangement honors this classic friendship song without overcomplicating it, creating space for singers to focus on ensemble blend and genuine expression. Whether performed with groove or with crisp precision, the piece carries an honest, uplifting quality that resonates with audiences.

Who it's for

Beginning and intermediate choirs looking for an accessible 2-part piece with genuine musical flexibility. This works equally well for singers who need confidence-building material early in the season and for more seasoned ensembles seeking a simple, meaningful addition to a spring or peace-themed concert.

How to get the most out of it

  • Choose your rhythmic approach intentionally. The swing interpretation brings lift and contemporary flavor; even eighths create precision and clarity. Decide before the first rehearsal and commit fully so the ensemble internalizes one clean style.
  • Balance the two parts so neither dominates. In a 2-part context, both lines carry equal weight, so listen across the room to ensure both sections feel heard and confident.
  • If you incorporate movement, keep it simple and purposeful. This piece rewards genuine connection between singers over complicated staging, so let choreography serve the song's message rather than distract from it.
  • Use the recorded accompaniment strategically during early rehearsals to lock ensemble confidence, then rehearse without it to build internal independence.

How to use it

This fits naturally into peace, diversity, or brotherhood programming, and its short rehearsal timeline makes it ideal for winter concert additions or end-of-year celebrations when full preparation time is limited. Consider pairing it with other 2-part literature to showcase your singers' ability to balance independent lines within a cohesive sound, or use it as an opener that builds audience goodwill before heavier concert repertoire.

Skills your students will build

  • Balancing two independent vocal lines with equal presence
  • Switching between swing rhythmic feel and straight eighth-note interpretation
  • Incorporating movement and staging cues while maintaining vocal focus
  • Ensemble blend and intonation across a simple, uncluttered harmonic texture

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