Side by Side: SATB Choral Octavo
Arr. Jay Althouse
Item: 00-PO-0002448
Minimum order quantity: 20 copies
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Description
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About the Arranger: Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was honored with the Distinguished Alumni award. His deep knowledge of choral publishing comes from eight years spent managing rights and licenses at a major educational music house, where he also served on the Executive Board of the Music Publishers Association of America.
As a composer, Althouse has published more than 800 choral works performed regularly across the English-speaking world. His contributions to music education extend beyond composition: he has co-written children's musicals with Sally K. Albrecht, compiled influential vocal collections, and authored classroom resources including The Complete Choral Warm-up Book, Accent on Composers, and Ready to Read Music. A member of ASCAP and a consistent recipient of the ASCAP Special Award, Althouse has also contributed to folk music scholarship through his work with the Folk Art Society of America. He makes his home in Wake Forest, North Carolina.
Why we love this
Althouse's arrangement offers genuine flexibility without requiring two separate rehearsal tracks. The ability to perform this beloved friendship anthem with either a swing feel or straight eighths means you can match the arrangement to your ensemble's strengths or the energy you want on concert day. The straightforward vocal writing and quick learn-time make it an intelligent choice when you need solid repertoire that doesn't demand weeks of preparation.
What to expect
There's an immediate warmth to this treatment of a classic friendship song. The arrangement captures the straightforward sincerity of the original while offering enough rhythmic flexibility to feel current and engaging, whether you lean into a laid-back swing groove or keep the energy bright and even.
Who it's for
This arrangement works for choirs at any level, whether you're building ensemble cohesion early in the fall or looking for accessible, feel-good material before spring concerts. Beginning choirs benefit from the simple vocal writing and quick preparation timeline, while experienced ensembles can focus on interpretation and staging rather than struggling with technical demands.
How to get the most out of it
- Decide your rhythmic approach early in rehearsals. Once the choir locks into whether they're singing swing eighths or even eighths, keep that interpretation consistent through performance.
- If you're using the recorded accompaniment, rehearse with it from day one so singers internalize the groove rather than fighting against it.
- Plan your staging intentionally. The piece is built for movement, so sketch out when singers might step forward, turn, or gesture rather than leaving it to chance during dress rehearsal.
- Balance the harmonic layers carefully in SATB. The straightforward arrangement is only effective if all four parts sit in proper relationship to the melody.
How to use it
Place this piece in spring concerts celebrating ensemble community and friendship, or use it as a confidence-builder early in the year when choirs are still forming their sound. The theme of brotherhood and peace makes it natural pairing with service-oriented programming or school-wide assembly performances where the message resonates beyond just the music department.
Skills your students will build
- Stylistic interpretation of swing rhythm versus straight eighth notes
- Ensemble blend and balance in SATB voicing
- Coordinating movement with singing
- Quick score learning and rapid preparation techniques