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Side by Side: SATB Choral Octavo

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Side by Side Cover Image

Side by Side: SATB Choral Octavo

Arr. Jay Althouse

Item: 00-4738

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Description
A unique arrangement of one of the all-time great friendship songs . . . unique because it can be performed with a swing beat OR with even eighth notes. The straightforward treatment means it's easy-to-learn in just a few rehearsals so it's perfect for the beginning . . . or the end . . . of the school year. A good choice for movement.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Side by Side: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
UPC: 038081004433
SKU: 00-4738

More about this title

About the Arranger: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later honored as a Distinguished Alumnus. His career spans both the publishing side of music education and compositional work; he spent eight years managing rights and licenses for a major educational publisher and served on the Executive Board of the Music Publishers Association of America. As a composer, he has created over 800 choral works performed throughout the English-speaking world and is a writer member of ASCAP, a regular recipient of their Special Award.

Beyond composition, Althouse has built a substantial body of educational and reference materials. He co-wrote several children's musicals with his wife Sally K. Albrecht, compiled vocal solo collections including Folk Songs for Solo Singers, and authored classroom resources such as Ready to Read Music and One-Page Composer Bios. His collaborative work I Hear America Singing was performed by the San Francisco Girls and Boys Choirs at President Obama's 2009 Inauguration. He served on the board of the North Carolina Master Chorale and currently advises the National Advisory Board of the Folk Art Society of America.

Why we love this

The dual-style flexibility sets this arrangement apart: directors can lead rehearsals in a relaxed swing groove or keep the rhythmic feel tighter with even eighth notes, depending on the energy and pacing needed for any given performance. The straightforward voicing and lean eight-page score mean students internalize the piece quickly, leaving rehearsal time for the staging and movement that make this work truly memorable rather than spending weeks on basic note-learning.

What to expect

Warm, inclusive, and celebratory, this arrangement captures the essence of solidarity without sentimentality. The optional swing treatment brings an easy, conversational quality that mirrors the casualness of true friendship, while the straight-eighths version offers a more deliberate and earnest take on the same sentiment.

Who it's for

Beginning choirs will find this arrangement accessible enough to master in just a few rehearsals, making it ideal for early-year concert programming when the ensemble is still building confidence and cohesion. Advanced choirs can use it as a refreshing palate cleanser on a heavier concert, or as a springboard for exploring stylistic contrast when pairing swing and straight interpretations back-to-back. Works equally well for end-of-year celebrations when you want something joyful, quickly learned, and audience-friendly.

How to get the most out of it

  • Experiment with the swing interpretation first in sectionals before attempting it with the full choir; establishing the feel independently helps each voice part lock into the syncopated rhythms without losing intonation.
  • If incorporating movement, keep blocking simple and teach it separately from the music at first, then gradually integrate them to avoid cognitive overload during early rehearsals.
  • Recorded accompaniment can anchor the ensemble during initial learning, but reduce reliance on it by the final rehearsals so singers develop independence and blend naturally with one another.
  • Emphasize the text and emotional arc of friendship throughout rehearsal; this shape will naturally inform phrasing and dynamics without requiring constant conductor reminders.

How to use it

Program this during a spring or end-of-year concert focused on unity and community themes, where its straightforward charm and movement potential can create a memorable, lighter moment on a program of more substantial works. It also serves beautifully as a closing piece for an assembly, benefit concert, or celebration where audience engagement and a feel-good finale are priorities.

Skills your students will build

  • Switching between swing and straight rhythmic feels
  • Maintaining clear voicing in a unison-based texture
  • Coordinating music with staged movement and blocking
  • Singing with stylistic flexibility and interpretive choice

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