Shadows in Time: Concert Band Conductor Score & Parts
By Quincy C. Hilliard
Grade: 2
Item: 98-DB1175
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Shadows in Time: Score | $5.00 | |
| Shadows in Time: Flute 1 | $7.00 | |
| Shadows in Time: Flute 2 | $7.00 | |
| Shadows in Time: Oboe | $7.00 | |
| Shadows in Time: Bassoon | $7.00 | |
| Shadows in Time: B-flat Clarinet 1 | $7.00 | |
| Shadows in Time: B-flat Clarinet 2 | $7.00 | |
| Shadows in Time: B-flat Bass Clarinet | $7.00 | |
| Shadows in Time: E-flat Alto Saxophone 1 | $7.00 | |
| Shadows in Time: E-flat Alto Saxophone 2 | $7.00 | |
| Shadows in Time: B-flat Tenor Saxophone | $7.00 | |
| Shadows in Time: E-flat Baritone Saxophone | $7.00 | |
| Shadows in Time: B-flat Trumpet 1 | $7.00 | |
| Shadows in Time: B-flat Trumpet 2 | $7.00 | |
| Shadows in Time: F Horn | $7.00 | |
| Shadows in Time: Trombone 1 | $7.00 | |
| Shadows in Time: Trombone 2 | $7.00 | |
| Shadows in Time: Baritone/Euphonium | $7.00 | |
| Shadows in Time: Baritone T.C. | $7.00 | |
| Shadows in Time: Tuba | $7.00 | |
| Shadows in Time: Bells | $7.00 | |
| Shadows in Time: Timpani | $7.00 | |
| Shadows in Time: Percussion 1 | $7.00 | |
| Shadows in Time: Percussion 2 | $7.00 |
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More about this title
Why we love this
The orchestration here is genuinely smart. Rather than spreading the melody across the full ensemble at once, Hilliard knows how to reveal it gradually, making each new voice feel like a discovery. The percussion parts elevate what could be a straightforward lyrical piece into something with real textural depth, and that's a craft worth studying with your band.
What to expect
Introspective and spacious, with moments of collective warmth as the melody passes from section to section. There's a gentle unfolding quality, like light shifting across a landscape, culminating in a quiet, almost intimate ending that lingers after the final note.
Who it's for
Grade 2 bands looking for a concert piece that rewards careful listening and musicality over technical fireworks. This works equally well for groups that need a contrasting work on a full program or for festival play where lyricism makes an impression.
How to get the most out of it
- Shape the alto sax cadenza with clear phrase direction before the trumpet enters; this opening moment sets the tone for everything that follows.
- Balance the solo trumpet melody carefully against the harmonic backdrop so the theme sings without drowning out the ensemble's support.
- Give your percussionists time in sectional rehearsals to explore the unique instruments called for; these parts deserve precision and care, not an afterthought.
- Approach the final flute cadenza with restraint. Soft doesn't mean delicate or uncertain. Trust the melodic line and let the silence around it do the work.
How to use it
Perfect as a mid-program breath after something more energetic, or as a closing piece when you want to send your audience home in a reflective mood. Its accessible difficulty makes it an ideal selection for festival competition, and the orchestrational variety keeps ensemble musicians engaged across all sections.
Skills your students will build
- Balance between solo voice and ensemble accompaniment
- Control of dynamic nuance, especially soft dynamics in ensemble context
- Ensemble precision when melody transfers between sections
- Basic percussion performance on non-standard instruments
- Listening and response to other sections in real time