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Second Chance: Piano/Vocal/Chords

The Biggest Hits * The Greatest Artists (Deluxe Annual Edition)

Item: 00-PS-0010960

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Description
Pick up the deluxe annual edition of 2009 Greatest Pop & Rock Hits and play all the best songs of 2009 now! This unique compilation includes songs from every genre, from popular ballads by Jennifer Hudson, Beyoncé, and pop sensations Katy Perry and Kelly Clarkson, to best-selling rock singles such as Nickelback's "Gotta Be Somebody," Bruce Springsteen's "Working on a Dream," and Lifehouse's "Broken." Collect all 32 songs now and learn the best hits of the year! Titles: 1, 2, 3, 4 (Plain White T's) * 15 Step (Radiohead) * All Summer Long (Kid Rock) * Angels on the Moon (Thriving Ivory) * At Last (Beyoncé) * Broken (Lifehouse) * Careless Whisper (Seether) * Crush (David Archuleta) * Decode (Paramore) * Footprints in the Sand (Leona Lewis) * Gotta Be Somebody (Nickelback) * Home Sweet Home (Carrie Underwood) * Hot N Cold (Katy Perry) * I Hate This Part (Pussycat Dolls) * If Today Was Your Last Day (Nickelback) * Let It Rock (Kevin Rudolf) * Live Your Life (T.I. featuring Rihanna) * My Life Would Suck Without You (Kelly Clarkson) * Never Far Away (Jim Brickman featuring Rush of Fools) * One Step at a Time (Jordin Sparks) * Second Chance (Shinedown) * Shuttin' Detroit Down (John Rich) * Stuck with Each Other (Shontelle featuring Akon) * Supermassive Black Hole (Muse) * Thinking of You (Katy Perry) * What About Now (Daughtry) * What Do I Do with My Heart (Eagles) * Working on a Dream (Bruce Springsteen) * What's Right Is Right (Taylor Hicks) * Whatever You Like (T.I.) * You Pulled Me Through (Jennifer Hudson).

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Additional Details
Series: Greatest Hits
Publisher: Alfred Music
Page Count: 208
SKU: 00-PS-0010960

More about this title

Why we love this

This collection captures a specific moment in popular music history, giving pianists and singers immediate access to the hits that defined 2009 across multiple genres. The breadth here is genuinely useful: you'll find everything from Radiohead's experimental edge to Kelly Clarkson's vocal showcase to Bruce Springsteen's storytelling, all formatted for accompanying yourself or performing with a vocalist.

What to expect

Energetic and diverse. One moment you're into the synth-driven pop of Katy Perry, the next you're navigating the dynamics of a Shinedown rock ballad or the sophisticated groove of a T.I. hip-hop track. The mood shifts track to track, but the consistent thread is music that connected with audiences in 2009.

Who it's for

Pianists and keyboardists who want to build a contemporary setlist for recitals, accompaniment work, or personal performance. This collection is equally valuable for vocalists who need piano/vocal charts with chords for self-accompaniment or rehearsal with a pianist.

How to get the most out of it

  • Study the original recordings before you sit down with the score. These arrangements are written to reflect the production and energy of the 2009 versions, so hearing them first helps you understand the intended feel.
  • Pay attention to the chord changes in styles you're less familiar with. Rock and pop harmony often moves differently than classical progressions; let your ears adjust to the voice leading.
  • If you're accompanying a vocalist, start by playing through each song alone to find the tempo and groove that feels natural, then invite the singer in once you've locked it.

How to use it

Build a contemporary showcase by mixing several songs from this collection to show range and accessibility. You might program two or three contrasting titles as a medley for a recital, or draw individual songs for student performance exams where popular music repertoire is encouraged. This works well for music theater programs looking to supplement classical training with current commercial material.

Skills your students will build

  • Reading pop and rock chord charts with lead sheets
  • Interpreting rhythmic notation specific to contemporary music styles
  • Accompanying vocalists with proper harmonic support and rhythmic flexibility
  • Adapting arrangements to fit ensemble size and vocal range

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