All Summer Long Sheet Music Preview

All Summer Long: Piano/Vocal/Chords

The Biggest Hits * The Greatest Artists (Deluxe Annual Edition)

Item: 00-PS-0010945

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Description
Pick up the deluxe annual edition of 2009 Greatest Pop & Rock Hits and play all the best songs of 2009 now! This unique compilation includes songs from every genre, from popular ballads by Jennifer Hudson, Beyoncé, and pop sensations Katy Perry and Kelly Clarkson, to best-selling rock singles such as Nickelback's "Gotta Be Somebody," Bruce Springsteen's "Working on a Dream," and Lifehouse's "Broken." Collect all 32 songs now and learn the best hits of the year! Titles: 1, 2, 3, 4 (Plain White T's) * 15 Step (Radiohead) * All Summer Long (Kid Rock) * Angels on the Moon (Thriving Ivory) * At Last (Beyoncé) * Broken (Lifehouse) * Careless Whisper (Seether) * Crush (David Archuleta) * Decode (Paramore) * Footprints in the Sand (Leona Lewis) * Gotta Be Somebody (Nickelback) * Home Sweet Home (Carrie Underwood) * Hot N Cold (Katy Perry) * I Hate This Part (Pussycat Dolls) * If Today Was Your Last Day (Nickelback) * Let It Rock (Kevin Rudolf) * Live Your Life (T.I. featuring Rihanna) * My Life Would Suck Without You (Kelly Clarkson) * Never Far Away (Jim Brickman featuring Rush of Fools) * One Step at a Time (Jordin Sparks) * Second Chance (Shinedown) * Shuttin' Detroit Down (John Rich) * Stuck with Each Other (Shontelle featuring Akon) * Supermassive Black Hole (Muse) * Thinking of You (Katy Perry) * What About Now (Daughtry) * What Do I Do with My Heart (Eagles) * Working on a Dream (Bruce Springsteen) * What's Right Is Right (Taylor Hicks) * Whatever You Like (T.I.) * You Pulled Me Through (Jennifer Hudson).

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Additional Details
Series: Greatest Hits
Publisher: Alfred Music
Page Count: 208
SKU: 00-PS-0010945

More about this title

Why we love this

This collection captures 2009 in one volume, giving pianists and singer-pianists immediate access to the year's defining pop and rock hits without hunting through individual sheet music. The mix spans genuine stylistic range—from Radiohead's angular alt-rock to Beyoncé's R&B sophistication to Bruce Springsteen's heartland rock—so there's something worth learning for every taste and skill level.

What to expect

Energetic and eclectic. One moment you're deep in Muse's synth-rock architecture; the next you're playing Katy Perry's infectious pop hooks or sitting with the quiet tension of a Lifehouse ballad. The collection captures the sonic and emotional breadth of 2009 pop radio.

Who it's for

Pianists and singer-pianists preparing for recitals, open mics, or studio sessions who want to learn contemporary hits from a landmark year in pop and rock. This collection also serves intermediate to advanced music students building a working repertoire of recognizable songs for performance or accompaniment work.

How to get the most out of it

  • Study the original recorded versions before diving into the charts. The production choices and arrangement details in the studio recordings will clarify how to voice the chords and balance melody against accompaniment.
  • Pay close attention to chord symbols above the vocal line; many of these songs use suspended and extended harmonies that define their harmonic identity. Nail the voicings rather than defaulting to basic triads.
  • When performing rock or pop songs with a strong rhythmic groove, lock the piano's rhythmic feel to the song's original tempo and pocket. A loose interpretation can flatten the energy.
  • For ballads like 'At Last' or 'Footprints in the Sand,' resist the urge to add extra ornamentation. The strength of these arrangements lies in clarity and emotional directness.

How to use it

Pull individual titles for student recitals, coffeehouse concerts, or variety shows where contemporary repertoire makes sense alongside or instead of classical standards. The 208-page volume works well as a reference text for a studio instructor building students' pop and rock chops throughout a season.

Skills your students will build

  • Reading chord symbols and realizing chords in multiple voicings
  • Accompanying singers and adapting harmonic density to vocal phrasing
  • Interpreting stylistic cues from rock, pop, R&B, and alt-rock contexts
  • Managing rhythmic independence between left-hand groove and right-hand melody
  • Transposing songs to accommodate different vocal ranges

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