Run, Rudolph, Run: 2-Part Choral Octavo
Words and music by Johnny Marks and Marvin Brody / arr. Kirby Shaw
Item: 00-PO-0005825
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Johnny Marks
Johnny Marks (1909-1985) composed some of the most enduring holiday standards in American popular music. Beyond "Rudolph the Red-Nosed Reindeer," his catalog includes "Holly Jolly Christmas" and "King Kingly Christmas," songs that have become synonymous with seasonal celebration across multiple generations.
Marks worked across film, television, and recording throughout his career, bringing a gift for memorable melodies and storytelling to holiday music. His compositions blend accessibility with genuine musicality, making them ideal for educational settings where students encounter music they already know and love.
Why we love this
Kirby Shaw's arrangement respects the rock 'n' roll DNA of the original while making it genuinely singable for young choirs. That opening guitar lick immediately signals fun and energy, but the vocal writing stays smart and playable, never sacrificing musicality for novelty. Programming this alongside more traditional holiday fare gives your concert real personality and reminds audiences that contemporary Christmas music belongs on stage.
What to expect
Pure energy and joy. The arrangement captures the driving urgency of the original while maintaining singable lines and clear part writing. From the first guitar lick through the final phrase, this piece radiates holiday excitement without a single note of schmaltz.
Who it's for
Two-part choirs looking for contemporary holiday material that connects with students and audiences alike. This arrangement works for middle school and high school choirs, community choruses, and any ensemble seeking a secular Christmas piece with genuine rock credibility and immediate crowd appeal.
How to get the most out of it
- Nail the rhythmic pocket in the opening section by locking the attack together as an ensemble; rock songs live or die by groove, not just pitch.
- Balance the fun factor with genuine vocal support; encourage singers to stay connected to their breath rather than shouting, which keeps tone quality high even at energetic tempos.
- Use the SoundTrax accompaniment to anchor the rhythm section if your ensemble needs that foundation, but rehearse sections without it so singers own the rhythmic responsibility.
- Bring out the humor and personality in the lyrical storytelling; this song thrives when singers commit to the character and enthusiasm, not when they undersell it.
How to use it
Program this as a highlight moment in a holiday concert, particularly if you're mixing traditional and contemporary seasonal repertoire. It works beautifully as a bridge between classical Christmas pieces and modern pop arrangements, and its immediate recognizability makes it a strong audience engagement tool.
Skills your students will build
- Rhythmic precision in rock/pop idioms with emphasis on groove and pocket
- Balancing projection with vocal health in high-energy singing
- Stylistic interpretation and character work within contemporary music
- Ensemble cohesion and blend across parts in energetic tempos