Run, Rudolph, Run Cover Image

Run, Rudolph, Run: Choral SoundPax

$30.00 USD
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Run, Rudolph, Run Cover Image

Run, Rudolph, Run: Choral SoundPax

Words and music by Johnny Marks and Marvin Brody / arr. Kirby Shaw

Item: 00-46964

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Description
Originally popularized by Chuck Berry in 1958, some say this was the very first rock 'n' roll Christmas song. Since then, it's been covered by everybody from Bryan Adams and Billy Idol to Kelly Clarkson, Conan O'Brien, and The Muppets! Kirby Shaw kicks off his arrangement with that characteristic guitar lick and builds from there. The optional SoundPax allows you to assemble your own rock band, or use the live-instrument SoundTrax CD.

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Run, Rudolph, Run

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 28
UPC: 038081536132
SKU: 00-46964
Instrumentation: SoundPax

More about this title

About the Composer: Johnny Marks

Johnny Marks composed some of the most enduring holiday standards of the twentieth century, including "Rudolph the Red-Nosed Reindeer" and "A Holly Jolly Christmas." His gift for writing memorable melodies and infectious hooks made him a favorite among songwriters and performers across multiple genres. Marks understood that holiday music needed to work equally well for children, families, and professional musicians, and his catalog reflects that versatility and broad appeal.

Why we love this

Kirby Shaw captures the raw energy of rock 'n' roll Christmas in this arrangement without sacrificing accessibility for mixed choirs. The SoundPax option transforms rehearsal and performance by letting directors build a custom rhythm section that sounds live and contemporary, rather than feeling tethered to a backing track. This is how holiday pops should feel: fun, energetic, and genuinely rhythmic.

What to expect

The opening guitar lick puts you immediately in a rock 'n' roll moment, and Kirby Shaw's arrangement builds momentum with each section. Rhythmically tight and musically generous, it captures the spirit of the original without letting nostalgia slow down the beat.

Who it's for

Mixed choirs looking for a secular holiday selection with genuine rock credentials and contemporary sound. Holiday concerts that lean toward pop and pops repertoire will find this energetic alternative to traditional caroling pieces, and ensembles with access to live instrumentalists or comfortable running backing tracks will feel the difference.

How to get the most out of it

  • Anchor the rock feel on a steady backbeat; the vocal lines will sit on top of that foundation rather than fighting it. Work the rhythm section (real instruments or SoundPax) first so singers understand the groove before layering melody and harmony.
  • Shape the opening guitar lick carefully with your accompaniment to set expectations for tempo and attitude. This hook is the audience's first impression, so lock it in before rehearsing vocals.
  • Let the arrangement's dynamics do the work for you. Shaw builds intensity through layering voices and instrumentation, so resist the urge to push volume early; trust the construction and release energy at the climaxes he's written.
  • If using SoundPax, spend rehearsal time exploring which instruments your ensemble will use. A lighter configuration (bass and drums only) can feel lean and modern; a fuller band (adding guitar and keyboards) gives you more texture for larger venues.

How to use it

Position this in the second half of a holiday concert where energy and entertainment value matter as much as reverence. It pairs beautifully after a set of traditional carols, giving your audience permission to relax and have fun. This works equally well as a show-closer or as part of a mini pop-pops medley within a larger holiday program.

Skills your students will build

  • Singing in a rock/contemporary rhythm style with emphasis on groove and backbeat feel
  • Balancing vocal blend within pop-oriented harmony and countermelody
  • Coordination between vocal sections and rhythm-section instrumentation
  • Maintaining rhythmic independence while supporting an anchored instrumental foundation

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