Run, Rudolph, Run Cover Image

Run, Rudolph, Run: SATB Choral Octavo

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Run, Rudolph, Run Cover Image

Run, Rudolph, Run: SATB Choral Octavo

Words and music by Johnny Marks and Marvin Brody / arr. Kirby Shaw

Item: 00-46959

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Description
Originally popularized by Chuck Berry in 1958, some say this was the very first rock 'n' roll Christmas song. Since then, it's been covered by everybody from Bryan Adams and Billy Idol to Kelly Clarkson, Conan O'Brien, and The Muppets! Kirby Shaw kicks off his arrangement with that characteristic guitar lick and builds from there. The optional SoundPax allows you to assemble your own rock band, or use the live-instrument SoundTrax CD.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081536088
SKU: 00-46959

More about this title

About the Composer: Johnny Marks

Johnny Marks composed one of the most enduring Christmas standards of the rock era. His gift for writing memorable melodies with genuine holiday spirit produced "Run, Rudolph, Run" in 1958, a song that bridged the emerging rock and roll sound with traditional Christmas themes. Marks understood how to craft songs that worked equally well in concert halls, on radio, and in the recording studio, making him a significant figure in mid-century popular music composition.

Why we love this

Kirby Shaw's arrangement respects the song's rock credentials while building in the kind of energy and accessibility that makes holiday concerts genuinely fun for singers and audiences alike. The optional SoundPax and recorded accompaniment options give you flexibility to perform this with full instrumentation or scale it down, meaning you can program this song regardless of your ensemble's size or instrumental resources. Few Christmas arrangements capture that sweet spot between novelty and musicality quite this well.

What to expect

The opening guitar riff immediately signals this isn't your typical Christmas carol. Kirby Shaw's writing captures the infectious, driving energy of the original while giving each voice part something rhythmically interesting to do. The overall effect is joyful, bouncy, and modern, yet still unmistakably tied to Christmas tradition.

Who it's for

This arrangement works for choirs of mixed ages and experience levels who want to program something with genuine rock and roll swagger and holiday relevance. Your singers will connect to a song many of them already know, which builds confidence and engagement quickly. Directors looking to balance traditional holiday fare with contemporary energy will find this fills a real programming need.

How to get the most out of it

  • Commit fully to the rhythmic drive. This isn't a ballad, and the rock feel depends on precise, locked-in ensemble rhythm from the first measure. The guitar lick that opens the piece sets the tone; make sure your singers understand they're part of the band.
  • If using the recorded accompaniment, rehearse with it early and often. Your singers need to feel secure with the harmonic and rhythmic foundation before adding their own energy to the mix.
  • Balance the soloists carefully against the full choir sections. Those featured moments should pop without burying the ensemble texture that gives this arrangement its power.
  • Pay attention to the top line's rhythmic figures. The soprano part drives much of the arrangement's momentum, so clarity and precision there elevates the whole performance.

How to use it

Program this as an opener or closer in a holiday concert to establish an upbeat, contemporary tone for your audience. It works especially well when paired with more traditional arrangements, creating programming contrast that keeps listeners engaged. The rock orientation also makes it a natural choice for a pops-focused holiday show or a concert aimed at younger audiences.

Skills your students will build

  • Rock and roll rhythmic articulation and ensemble precision
  • Balancing individual voice part independence with choral blend
  • Singing with rhythmic confidence over a steady accompaniment
  • Stylistic interpretation of popular music in choral context
  • Coordinating with recorded or live instrumental accompaniment

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