Run, Rudolph, Run Cover Image

Run, Rudolph, Run: SSA Choral Octavo

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Run, Rudolph, Run Cover Image

Run, Rudolph, Run: SSA Choral Octavo

Words and music by Johnny Marks and Marvin Brody / arr. Kirby Shaw

Item: 00-46961

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Description
Originally popularized by Chuck Berry in 1958, some say this was the very first rock 'n' roll Christmas song. Since then, it's been covered by everybody from Bryan Adams and Billy Idol to Kelly Clarkson, Conan O'Brien, and The Muppets! Kirby Shaw kicks off his arrangement with that characteristic guitar lick and builds from there. The optional SoundPax allows you to assemble your own rock band, or use the live-instrument SoundTrax CD.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081536101
SKU: 00-46961

More about this title

About the Composer: Johnny Marks

Johnny Marks (1909-1985) composed the music for some of the most enduring holiday songs in American popular culture. His gift for accessible melodies and infectious rhythms made seasonal standards that work equally well in concert halls and casual sing-alongs. 'Run, Rudolph, Run' stands as a testament to Marks's ability to capture the spirit of rock and roll while maintaining the warmth that defines great Christmas music.

Why we love this

Kirby Shaw's SSA arrangement captures everything that makes this song a rock and roll classic while keeping the voicing fresh and accessible for treble choirs. The optional instrumental parts let you build the full band sound that defined the original, or you can anchor it with the recorded accompaniment. It's the kind of piece that energizes a holiday concert and reminds audiences why this song has refused to fade for nearly 70 years.

What to expect

It's pure rock and roll energy wrapped in a Christmas package. The arrangement opens with that signature guitar riff translated into vocal lines, then builds into a driving rhythm that feels modern and fresh. There's joy here, not sentiment. The song moves.

Who it's for

SSA choirs looking for a holiday piece that appeals to contemporary audiences without sacrificing musical substance. This works for school choirs at the intermediate level and above, community groups, and adult choirs that want to program something with real rock credibility alongside their traditional carols.

How to get the most out of it

  • Nail the opening guitar lick as sung material. Your sopranos and altos should articulate it with the same punch a lead guitarist would bring, treating the rhythm with rock precision rather than legit smoothness.
  • If you're using the instrumental parts, rehearse early with your band members so the choir can lock into the pocket they're creating. The arrangement only lands when everyone feels the groove together.
  • Keep the energy consistent from top to bottom. This piece doesn't tolerate dynamic sagging; treat each phrase like it's got momentum to carry forward.
  • Balance the three-part texture cleanly. The arrangement moves the melody around, so make sure no voice gets swallowed when it's carrying the tune.

How to use it

Lead off a holiday concert with this to set a contemporary tone, or tuck it into the second half as a palate cleanser between more traditional selections. It pairs naturally with other pop-style holiday arrangements and signals to your audience that you're celebrating the full spectrum of Christmas music traditions, not just classical ones.

Skills your students will build

  • Rock and roll articulation and rhythmic precision
  • Maintaining ensemble groove and pocket awareness
  • Moving melody between voice parts while preserving line integrity
  • Balancing modern and traditional musical styles

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