Rondo (La Voltigeuse - The Little Rope Dancer) Cover Image

Rondo (La Voltigeuse - The Little Rope Dancer): Flute, Solo with Piano, Book

$4.95 USD
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Rondo (La Voltigeuse - The Little Rope Dancer) Cover Image

Rondo (La Voltigeuse - The Little Rope Dancer): Flute, Solo with Piano, Book

By Friedrich W. Marpurg, ed./arr. by A. Louis Scarmolin

Grade: 2

Item: 36-10410242

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Description
Subtitled "La Voltigeuse" or "The Little Rope Dancer," this edition for flute with piano accompaniment of a work originally written by the 18th century German composer for keyboard has been arranged by A. Louis Scarmolin. It is also available for other instruments using the same piano accompaniment.

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Additional Details
Series: LudwigMasters Woodwind Series
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-361248-1
ISBN13: 978-1-63-361248-8
UPC: 659859427867
SKU: 36-10410242
Instrumentation: Flute and Piano

More about this title

About the Composer: Friedrich W. Marpurg

Friedrich Wilhelm Marpurg (1718-1795) was a German composer, theorist, and music critic whose prolific output shaped keyboard music in the mid-18th century. He studied with Georg Friedrich Händel and J.S. Bach's son Wilhelm Friedemann Bach, and his own compositions for keyboard reveal the influence of both the Baroque and emerging galant styles.

Why we love this

This Rondo captures the wit and charm of 18th-century salon music without demanding virtuosic fireworks. Scarmolin's arrangement preserves the keyboard original's elegant character while giving flutists a piece that sounds graceful and accomplished at a reasonable technical level. Programming it alongside Classical-era chamber music creates an authentic historical context that students actually enjoy.

What to expect

Airy and playful, with the character of a witty parlor piece where the flute dances lightly over the piano's supportive harmonic backdrop. The Rondo form invites the soloist to shine in passage work while returning to a memorable, sing-able theme that echoes the elegance of chamber music.

Who it's for

Flutists in grades 2-3 who can play with consistent intonation across the staff and handle moderate technical passages. This piece suits students ready to perform character music and experience 18th-century style beyond simple folk arrangements.

How to get the most out of it

  • Shape the main melodic phrases with gentle dynamic swells rather than rigid accents; the 'rope dancer' metaphor suggests lightness and buoyancy throughout.
  • Coordinate articulation with the pianist to maintain the piece's lilting character; clarity in the sixteenth-note passages depends on synchronized tonguing.
  • Observe the harmonic rhythm from the keyboard part to avoid pushing the tempo; the piece's elegance comes from precise ensemble balance, not speed.

How to use it

Place it in a recital or concert alongside other Baroque or Classical chamber works to show students the breadth of flute repertoire beyond the standard pedagogical fare. It also works well as a feature in a 'Music Through the Centuries' program or as an elegant encore that leaves audiences smiling.

Skills your students will build

  • Playing with light articulation in passage work while maintaining musical phrasing
  • Balancing solo and accompaniment roles in a duo setting
  • Interpreting 18th-century galant style and its characteristic ornamentation
  • Reading and performing moderate sixteenth-note figures with rhythmic precision

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