Rondo (La Voltigeuse - The Little Rope Dancer) Cover Image

Rondo (La Voltigeuse - The Little Rope Dancer): Bassoon, Solo with Piano, Book

$4.95 USD
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Rondo (La Voltigeuse - The Little Rope Dancer) Cover Image

Rondo (La Voltigeuse - The Little Rope Dancer): Bassoon, Solo with Piano, Book

By Friedrich W. Marpurg, ed./arr. by A. Louis Scarmolin

Grade: 4

Item: 36-10430242

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Description
Subtitled "La Voltigeuse" or "The Little Rope Dancer," this edition for bassoon with piano accompaniment of a work originally written by the 18th century German composer for keyboard has been arranged by A. Louis Scarmolin. It is also available for other instruments using the same piano accompaniment.

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Additional Details
Series: LudwigMasters Woodwind Series
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-361250-3
ISBN13: 978-1-63-361250-1
UPC: 659859350615
SKU: 36-10430242
Instrumentation: Bassoon and Piano

More about this title

About the Composer: Friedrich W. Marpurg

Friedrich Wilhelm Marpurg (1718-1795) was a German composer, theorist, and keyboard master whose prolific output spanned keyboard works, chamber music, and sacred compositions. His keyboard music in particular exemplifies the galant style of the mid-18th century, combining elegant melodies with transparent textures that translate beautifully to solo instruments. Marpurg's pedagogical influence extended through his theoretical writings, which were widely read across Europe and shaped how musicians understood harmony and composition during the Classical era.

Why we love this

Scarmolin's arrangement gives the bassoon access to a genuinely charming keyboard miniature with character and wit. The light, dance-like quality of a rope dancer's movement lives in the melody without demanding extreme virtuosity, making this a rewarding piece that feels substantial on a recital program despite its modest technical demands.

What to expect

Playful and light-footed, with the buoyancy of a performer skipping rope. The melody dances through elegant phrases that feel conversational and intimate, colored by the piano's support beneath it. There is charm and humor in the musical character, never heavy or demanding.

Who it's for

Intermediate bassoonists (Grade 4) seeking engaging solo material for recitals or studio performance. This arrangement suits players who are solid in tone production and secure in the middle register but not yet ready for the technical demands of Romantic-era bassoon concertos.

How to get the most out of it

  • Treat the melodic line as a dancer's arc: shape each phrase to suggest lightness and buoyancy rather than weight, even in the lower register.
  • Balance tone color with the piano's articulation; clarity matters more than volume in bringing out the rondo's playful character.
  • Practice the accompaniment together from the start so the piano's harmonic support anchors your phrasing and tempo rubato.
  • Mark breath points carefully to maintain forward momentum through the rondo's recurring sections without unnecessary hesitations.

How to use it

Pair this on a recital with a contrasting piece in a darker key or heavier mood to showcase the bassoon's range. Its relatively brief duration makes it an ideal opening number or a witty interlude between weightier works, and the Baroque-leaning style sits naturally alongside other Classical-era chamber music.

Skills your students will build

  • Shaping long melodic phrases with consistent air support
  • Balancing tone quality across the middle and lower registers
  • Responding to piano accompaniment and maintaining ensemble awareness
  • Conveying character and musical narrative without excessive technical display

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