Rock Around the Clock: 2-Part Choral Octavo
Music and lyrics by Max C. Freedman and Jimmy De Knight / arr. Jeff Funk
Item: 00-PO-0006753
$2.25
Minimum order quantity: 20 copies
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Description
Is there a more definitive song for the music of the '50s? Everyone loves this piece! Jeff Funk has created a very singable arrangement for all voicings, including a TBB version that is sure to stop the show. The simplicity of rhythm and straightforward approach that Jeff has taken with the arrangement of this piece will make it an easy and fun addition to any program.
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Additional Details
Series:
Alfred Archive Edition: Alfred Pop Choral Series
Publisher:
Alfred Music
Page Count:
12
SKU:
00-PO-0006753
More about this title
About the Composer: Max C. Freedman
Max C. Freedman co-wrote "Rock Around the Clock" with Jimmy De Knight in 1952, creating what would become one of the defining rock and roll anthems of the 1950s. The song's infectious energy and simple, memorable melody made it an instant classic, and it remains a staple of American popular music nearly seven decades later.
Freedman's contribution to early rock and roll history lies in his ability to craft accessible, radio-friendly material that captured the spirit of a generation. "Rock Around the Clock" demonstrated his knack for writing hooks that stick with listeners and transcend generational boundaries.
Why we love this
Jeff Funk's arrangement proves that you don't need complex harmony or intricate rhythms to create an arrangement that works. The straightforward approach lets singers focus on energy, attitude, and ensemble blend rather than wrestling with notation. Including a TBB voicing option opens this iconic song to ensembles that might otherwise skip it, making an already high-engagement piece available to more groups.
What to expect
Pure rock and roll joy. This arrangement captures the infectious momentum of the original while staying faithful to what makes the song unmistakable. The vocal writing is lean and energetic, allowing singers to feel the groove rather than fight the notation.
Who it's for
This arrangement works for choirs at all levels, from middle school through adult ensembles. The 2-part voicing and straightforward rhythmic writing make it accessible to developing singers, while the song's cultural weight and energy keep it engaging for experienced choirs looking for a program anchor or closer.
How to get the most out of it
- Lean into the swagger. This song thrives on rhythmic confidence and attitude; even in a 2-part setting, the groove should feel deliberate and driving, not tentative.
- Keep dynamics buoyant. Resist the urge to push too hard; the simplicity of the arrangement means restraint in volume often creates more impact than full-throttle singing.
- Lock the unison passages. Where both parts move together, make sure the blend is unified and rhythmically locked; this clarity anchors the arrangement.
- Use the recorded accompaniment to lock the groove. The track will anchor your rehearsal process and help singers internalize the infectious rhythm.
How to use it
Program this as a closer or opening number. Its immediate recognition and irresistible groove make it a natural audience connector, especially in a concert that pairs well-known repertoire with either classic choral literature or contemporary pop arrangements. The TBB voicing option also makes it a strategic choice for celebrating inclusive casting and expanding what your ensemble can access.
Skills your students will build
- Singing with rhythmic precision and groove in a rock idiom
- Blending and balancing in 2-part writing
- Maintaining consistent ensemble pulse in a syncopated style
- Developing confidence with accessible, high-engagement material