Rock Around the Clock Sheet Music Preview

Rock Around the Clock: 3-Part Mixed Choral Octavo

Music and lyrics by Max C. Freedman and Jimmy De Knight / arr. Jeff Funk

Item: 00-PO-0006752

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Description
Is there a more definitive song for the music of the '50s? Everyone loves this piece! Jeff Funk has created a very singable arrangement for all voicings, including a TBB version that is sure to stop the show. The simplicity of rhythm and straightforward approach that Jeff has taken with the arrangement of this piece will make it an easy and fun addition to any program.

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Additional Details
Series: Alfred Archive Edition: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0006752

More about this title

About the Composer: Max C. Freedman

Max C. Freedman co-wrote "Rock Around the Clock" with Jimmy De Knight in 1952, creating one of the most recognizable songs in American popular music history. The song became a cultural phenomenon after its 1954 recording by Bill Haley and His Comets, helping to launch rock and roll into the mainstream and defining the sound of the 1950s for generations of listeners.

Why we love this

Jeff Funk strips away any unnecessary complexity while keeping the infectious energy completely intact. Directors will appreciate that the straightforward rhythmic approach makes this genuinely easy to rehearse and teach, yet the arrangement delivers the full excitement audiences expect from this iconic tune.

What to expect

Pure infectious joy and unstoppable momentum. The piece captures the carefree spirit of 1950s rock and roll with melodies that stick in your head and lyrics that invite the audience to join in the fun.

Who it's for

Any choir looking for a crowd-pleasing number that spans age groups and musical backgrounds. The SAB voicing works equally well for middle school choirs, community ensembles, and mixed-voice groups seeking accessible, energetic repertoire.

How to get the most out of it

  • Emphasize the swing feel in the rhythm section without rushing the tempo; a relaxed groove sells the energy better than pushing ahead.
  • Keep vocal articulation crisp and unified across all three parts, especially during the repeated "rock around the clock" sections, to lock in the rhythmic pocket.
  • Balance the parts so the harmonic foundation stays clear without drowning out the melody line; this straightforward arrangement relies on that clarity.

How to use it

Position this as a finale or late-program piece where audience engagement matters most. It pairs naturally with other rock, pop, or secular repertoire and works equally well in pops concerts, variety shows, or as a crowd-energizing closer at any choral festival.

Skills your students will build

  • Singing in a contemporary commercial music style with appropriate stylistic phrasing
  • Maintaining rhythmic precision in a swing/rock feel
  • Three-part harmonic singing with consistent blend and balance
  • Performing with performance confidence in high-energy contexts

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