Rock Around the Clock Cover Image

Rock Around the Clock: 2-Part Choral Octavo

$2.25 USD
Sale price  $2.25 USD Regular price 
Skip to product information
Rock Around the Clock Cover Image

Rock Around the Clock: 2-Part Choral Octavo

Music and lyrics by Max C. Freedman and Jimmy De Knight / arr. Jeff Funk

Item: 00-CHM00033

Need it now?

Buy Digital Version
$2.25
Shipped

One moment…

Description
Is there a more definitive song for the music of the '50s? Everyone loves this piece! Jeff Funk has created a very singable arrangement for all voicings, including a TBB version that is sure to stop the show. The simplicity of rhythm and straightforward approach that Jeff has taken with the arrangement of this piece will make it an easy and fun addition to any program.

Rock Around the Clock: 2-Part Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Alfred Archive Edition: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 654979014829
SKU: 00-CHM00033

More about this title

About the Composer: Max C. Freedman

Max C. Freedman co-wrote "Rock Around the Clock" with Jimmy De Knight in 1952, creating one of the most iconic rock and roll standards of the 1950s. The song became a cultural phenomenon after its appearance in the 1955 film "Blackboard Jungle" and remains instantly recognizable across generations of listeners.

For music educators, Freedman's contribution to this piece represents a turning point in popular music: a composition that bridges traditional songwriting craft with the emerging energy of rock and roll. His work demonstrates how accessible melody and infectious rhythm can create lasting art.

Why we love this

Jeff Funk's 2-part arrangement strips away the complications without losing the swagger. The rhythm stays straightforward enough that young singers can focus on blend and energy rather than fighting the chart, yet the piece never feels watered down. A TBB voicing that actually works in performance is rare at this level.

What to expect

Pure, uncomplicated fun. The piece radiates the optimism and raw energy of early rock and roll without pretense. You hear the opening notes and instantly feel the rolling beat, the swagger, the simple joy of music that makes people want to move.

Who it's for

Any choir director building a program that needs crowd-pleasing '50s rock. This works equally well with developing singers in middle school and high school groups, since the 2-part voicing and straightforward rhythm reduce barriers to entry. The TBB option opens the arrangement to male or mixed upper-lower voice configurations.

How to get the most out of it

  • Keep the rhythm section locked from the first rehearsal. The groove rides on steady eighth notes and a confident backbeat; if this wavers, the entire arrangement loses its lift.
  • Encourage singers to listen to the original recording before learning their parts. Familiarity with the iconic melody and rhythm pattern accelerates learning and builds investment in nailing the style.
  • Balance brightness in the upper voices against a solid foundation below. The simplicity of the arrangement means every voice line reads clearly, so tuning and blend become your primary tools.
  • Take advantage of the recorded accompaniment to build confidence during early rehearsals. This frees your attention to shape phrasing and attitude rather than conducting basic harmonic changes.

How to use it

Slot this into a concert celebrating American popular music or pop rock hits. It pairs naturally with other '50s standards and serves as an ideal opener or closer because of its immediate appeal and energetic finish. Consider programming it where you need a guaranteed audience engagement moment.

Skills your students will build

  • Singing and maintaining a steady rock groove in ensemble
  • Blending voices across a simple harmonic structure
  • Interpreting style and attitude in a secular pop arrangement
  • Reading and performing 2-part voicing with confidence

You May Also Like