R U Chicken? Cover Image

R U Chicken?: Jazz Ensemble Conductor Score

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R U Chicken? Cover Image

R U Chicken?: Jazz Ensemble Conductor Score

By Kris Berg

Grade: 3 (Medium)

Item: 00-24849S

$9.00
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Description
You asked for a funky chart---well this is it! Another fabulous adventure by the chicken-master Kris Berg, and this time he plucks another prize-winner with "R U Chicken?" Written solos are included for trumpet and tenor sax, and the lead trumpet range is up to written B-flat. A great closer for any concert or festival performance. What a title. What a chart! This title is available in MakeMusic Cloud.

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Additional Details
Series: Jazz Band Series
Publisher: Alfred Music
Page Count: 20
UPC: 038081272344
SKU: 00-24849S

More about this title

About the Composer: Kris Berg

Kris Berg

Kris Berg directs the Jazz Studies program at Collin County Community College in Texas, where he earned both his bachelor's and master's degrees in jazz studies from the University of North Texas. His big band charts have circulated internationally and appear on recordings worldwide. Berg founded and directs the Collin Jazz Fest and Texas All-Star Jazz Camp, and he serves as a clinician and artist for Yamaha Corporation of America.

As a prolific arranger and composer for Belwin Jazz (Alfred Publishing), Berg has established himself as one of the most performed writers in contemporary big band literature. He has performed alongside and clinically mentored artists including Kurt Elling, Randy Brecker, Peter Erskine, Bob Mintzer, Bobby Shew, and Clark Terry. His instructional work, Bass Lines in Minutes, has become a standard resource for jazz educators and students.

Why we love this

Berg knows exactly how to craft a chart that lands on the closing spot of a concert: strong hooks, accessible voicings at Grade 3, and genuine funk that your ensemble will have fun playing. The written solos for trumpet and tenor sax give you flexible showcasing options without requiring your soloists to navigate complex harmonic territory, and the title itself guarantees audience engagement.

What to expect

Funky, groovy, and immediately approachable, this chart lets your ensemble sink into a confident swagger. The solos breathe room for individual voices while the ensemble supporting them locks into Berg's clean, modern writing, creating the feel of a band that knows its sound.

Who it's for

This chart speaks to jazz ensembles at the intermediate level who want a contemporary, high-energy closer that doesn't demand virtuosity but rewards solid musicianship and ensemble cohesion. Directors programming festivals or concert finales will find it serves both the ensemble's developmental needs and the audience's appetite for fun, swinging jazz.

How to get the most out of it

  • Lock the groove with your rhythm section from the first rehearsal. The funky character depends entirely on a tight pocket between drums and bass, so isolate that section early.
  • Balance the lead trumpet carefully as the range climbs to written B-flat. Ensure the soloist has enough room to breathe at the top while the section maintains cohesion beneath.
  • Layer dynamics deliberately throughout the chart. Berg writes textural contrasts that disappear if the ensemble rushes to full volume; let space and restraint build the funk's authenticity.
  • Work the written solos individually before ensemble rehearsal. Trumpet and tenor sax soloists will feel more confident owning their parts when they've prepared them separately first.

How to use it

Perfect as a concert closer or festival finale, especially when you want the audience to leave smiling and tapping their feet. Program it after a ballad or something more serious to shift the energy in the room, or pair it with other contemporary big band charts to showcase your ensemble's command of modern jazz repertoire.

Skills your students will build

  • Locked ensemble swing feel and rhythmic precision in funk and contemporary jazz contexts
  • Solo construction and confidence in written melody and improvisation-style passages
  • Reading and balancing lead trumpet range extending to written B-flat
  • Dynamic shape and textural contrast within a composed arrangement

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