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Psallite: Let All Nations Sing: Choral Octavo SoundTrax CD

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Psallite: Let All Nations Sing Cover Image

Psallite: Let All Nations Sing: Choral Octavo SoundTrax CD

Music by Jay Althouse

Item: 00-17000

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Description
An exuberant concert work featuring a secular text combining Latin and English. Strong choral writing will make your choir sound its best. Includes descant for soprano and tenor.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081142739
SKU: 00-17000

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was honored as a Distinguished Alumnus. His background spans both the publishing industry (eight years as a rights and licenses administrator, including a term on the Executive Board of the Music Publishers Association of America) and active composition; he has published over 800 choral works performed regularly across the English-speaking world.

As a writer member of ASCAP, Althouse is a consistent recipient of the organization's Special Award for his contributions to standard music composition. Beyond choral writing, he has co-created children's musicals with his wife Sally K. Albrecht, edited respected vocal solo collections, and authored numerous classroom resources including The Complete Choral Warm-up Book and Accent on Composers. His choral composition "I Hear America Singing" (co-written with Albrecht) was performed by the San Francisco Girls and Boys Choirs at President Obama's 2009 Inauguration.

Why we love this

Althouse crafts choral writing that sits beautifully in singers' voices while delivering the energy and clarity that makes an ensemble sound polished and confident in performance. The blend of Latin and English text gives this concert piece sophistication without sacrificing accessibility, and the included descants add textural interest and a natural showcase for your soprano and tenor sections.

What to expect

Buoyant and celebratory, with the infectious momentum of a work designed to energize both singers and audience. The weaving of Latin and English creates an inviting cosmopolitan quality, while the descants add shimmer and lift to the overall sound without losing the grounding of the full harmonic foundation.

Who it's for

Choirs at the intermediate to advanced level who want a concert piece that balances strong harmonic writing with rhythmic energy and textural variety. The work suits singers who have developed enough vocal control to handle descant writing and the articulation clarity that makes text mixing effective.

How to get the most out of it

  • Balance the descant lines carefully so they enhance rather than overshadow the main harmonic texture; have sopranos and tenors sing a dynamic notch lighter than the full choir during combined sections.
  • Use the recorded accompaniment during rehearsals to establish the style and energy level, then gradually pull back rehearsal reliance so singers develop independence before performance.
  • Shape the Latin and English text sections distinctly in tone and articulation to highlight the stylistic shift and keep the audience engaged throughout.

How to use it

Program this as a second-half opener or closing number for a concert where you want an immediate lift in energy and mood. It works particularly well on programs pairing classical and contemporary sacred works, or on shows built around themes of unity or celebration.

Skills your students will build

  • Balancing descant lines within a four-part harmonic texture
  • Code-switching between Latin and English text with consistent articulation
  • Sustaining forward energy across a full concert work
  • Blending soprano and tenor descant parts while maintaining individual line clarity

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