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Psallite: Let All Nations Sing: SATB Choral Octavo

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Psallite: Let All Nations Sing Cover Image

Psallite: Let All Nations Sing: SATB Choral Octavo

Music by Jay Althouse

Item: 00-16328

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Description
An exuberant concert work featuring a secular text combining Latin and English. Strong choral writing will make your choir sound its best. Includes descant for soprano and tenor.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081136844
SKU: 00-16328

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse studied music education and music at Indiana University of Pennsylvania, where he later received the Distinguished Alumni award. His career spans both the publishing side of choral music and composition; he spent eight years in rights and licensing administration for a major educational publisher and served on the Executive Board of the Music Publishers Association of America.

As a composer, Althouse has created more than 800 choral works performed widely across the English-speaking world. He holds membership in ASCAP and is a regular recipient of the ASCAP Special Award. Beyond composition, he has compiled vocal solo collections, co-authored instructional resources including The Complete Choral Warm-up Book and Accent on Composers, and created reproducible classroom materials. He co-wrote I Hear America Singing with his wife Sally K. Albrecht, a work performed by the San Francisco Girls and Boys Choirs at President Barack Obama's inauguration in 2009.

Why we love this

Althouse knows exactly how to write for singers. The choral lines sit naturally in the voice while maintaining sophistication; your ensemble will feel capable and sound polished. The blend of Latin and English text creates a contemporary concert piece that feels both accessible and substantial, and the included descant parts give you flexibility in how you voice the sopranos and tenors depending on your singers' strengths.

What to expect

Exuberance radiates from the page. The Latin and English interplay creates a celebratory, almost hymn-like character that invites singers and audiences alike into a moment of shared joy. There's an inherent lift to the writing that makes choirs want to sing it.

Who it's for

This octavo works for intermediate to advanced high school and college choirs, as well as community and semi-professional ensembles looking for a concert piece that combines musical substance with accessibility. Directors want a piece that sounds impressive without overwhelming singers; Althouse delivers that balance here.

How to get the most out of it

  • Treat the Latin text with clear articulation and rhythmic precision to make the language sing; record a rehearsal and listen back to ensure the Latin syllables aren't swallowed.
  • Decide early whether you'll use the descant on every performance or save it for a specific section or final run-through, then communicate that choice consistently in rehearsals.
  • Balance the secular energy of the piece by anchoring the lower voices; bass and tenor lines carry harmonic weight, so ensure they're singing with confidence and not being drowned out by the sopranos.

How to use it

Program this as a concert opener or a mid-program lift to shift energy and mood. The secular text and ecumenical spirit make it a strong choice for spring concerts, commissioning celebrations, or any program needing a moment of unifying optimism.

Skills your students will build

  • Singing Latin text with clear vowel sounds and appropriate phrasing
  • Balancing SATB voices when divisi and descant parts are in use
  • Sustaining ensemble blend across a substantial choral work (12 pages)
  • Interpreting expressive singing in a secular context that still carries musical weight

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