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Popular Song: 3-Part Mixed <i>a cappella</i> Choral Octavo

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Popular Song: 3-Part Mixed a cappella Choral Octavo

Recorded by Mika featuring Ariana Grande

Words and music by Priscilla Renea, Stephen Schwartz, Michael Penniman, and Mathieu Jomphe / arr. Jack Zaino

Item: 00-51611

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Description
Singer-songwriter Mika has performed this Wicked-inspired song alongside both Ariana Grande and Kristen Chenoweth. Using Glinda's "Popular" as a hook, it explores how staying true to oneself is more important than any popularity contest. Feature one or more soloists on this contemporary a cappella arrangement, which gets everyone singing on the second verse and hand-clapping chorus. Notated vocal percussion takes out all the guesswork and completes a full-sounding voices-only accompaniment.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081591117
SKU: 00-51611

More about this title

About the Composer: Priscilla Renea

Priscilla Renea is a prolific songwriter and producer who has penned hits for some of the biggest names in pop music, working across R&B, pop, and musical theater. Her skill at crafting lyrics that resonate emotionally while maintaining commercial appeal has made her a sought-after collaborator in the industry.

Why we love this

Jack Zaino's arrangement transforms a pop anthem into something choirs can genuinely own without losing the song's wit and charm. The notated vocal percussion removes the mystery of finding a beatboxing arrangement, and the progression from soloists to full ensemble creates real dramatic momentum that keeps audiences engaged.

What to expect

Witty and propulsive, this arrangement captures the playfulness of the Wicked hook while building emotional weight around a genuine message about authenticity. Hand claps and vocal percussion create an intimate, voices-only soundscape that feels both rehearsed and spontaneous.

Who it's for

Choirs looking to program contemporary material that appeals to both singers and audiences without sacrificing musicianship. The three-part mixed voicing makes it accessible for developing ensembles while the arrangement's sophistication keeps advanced groups engaged.

How to get the most out of it

  • Let the hand-clapping chorus land with precision; clean rhythmic unison here will amplify the energy far more than general enthusiasm alone.
  • Choose soloists who can deliver the spoken or semi-sung moments with personality. This arrangement thrives on attitude, not just technical accuracy.
  • Balance the vocal percussion in rehearsal so it supports rather than overwhelms the melodic lines. The notated part is your friend for keeping everyone together.

How to use it

Program this as a contemporary showstopper in a pop or cabaret-style concert, or pair it with other musical theater adaptations for a Broadway-focused set. The accessibility of the voicing and the familiar source material make it an excellent bridge between classical repertoire and modern pop programming.

Skills your students will build

  • Singing in rhythmic unison with hand percussion accompaniment
  • Balancing soloist and ensemble texture in a cappella singing
  • Reading notated vocal percussion parts
  • Maintaining rhythmic independence while supporting a steady beat as an ensemble

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