Popular Song: 3-Part Mixed a cappella Choral Octavo
Recorded by Mika featuring Ariana Grande
Words and music by Priscilla Renea, Stephen Schwartz, Michael Penniman, and Mathieu Jomphe / arr. Jack Zaino
Item: 00-PO-0007557
Minimum order quantity: 20 copies
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About the Composer: Priscilla Renea
Priscilla Renea is a singer-songwriter and composer who has crafted songs for major Broadway productions and contemporary artists. Her work bridges musical theater and popular music, creating pieces that speak directly to young performers through relatable themes and accessible melodies.
Why we love this
Jack Zaino's arrangement captures the infectious energy of Mika's original while building in strategic moments of soloist features and full-choir unison that keep singers engaged and invested. The notated vocal percussion part removes any ambiguity about texture and timing, letting your choir deliver a polished, contemporary sound without instrumental accompaniment. This is the rare pop piece that feels fresh in a concert setting while still speaking directly to today's singers.
What to expect
Energetic and witty, with the sophisticated pop sensibility of Wicked's source material. The arrangement sparkles with vocal percussion and layered harmonies while maintaining an intimate, almost conversational quality in the solo moments.
Who it's for
Mixed voice choirs from the high school level upward who want a contemporary piece with genuine artistic merit. This works equally well for concert programming, showcase performances, or as a centerpiece in a show choir set.
How to get the most out of it
- Spend rehearsal time on the hand-clapping chorus pattern; mark the attacks clearly so the rhythmic unison feels intentional rather than accidental.
- Cast your soloists in the first verse early, then use full rehearsals to find the best blend when all three parts enter on the second verse.
- Lean into the theme during your concert program note: this song resonates because it asks students to question what 'popular' really means, and that conversation deepens their investment in the text.
How to use it
Pair this with other contemporary pop arrangements for a modern program segment, or use it as a palate cleanser between more traditional choral works. The theatrical DNA and singable melody make it equally at home in a cabaret-style concert or a standard choral recital.
Skills your students will build
- Reading three-part mixed voicing (SAB)
- Performing notated vocal percussion
- Balancing soloists with ensemble texture
- Executing rhythmic hand-clapping patterns in unison
- Interpreting contemporary pop idioms in a choral context