Play a Country Enut (from Sister Amnesia's Country Western Nunsense Jamboree): Piano/Vocal/Chords
Highlights from 6 Classic Nunsense Musicals
Music and lyrics by Dan Goggin
Item: 00-PS-0016101
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Description
Titles: A Long, Long Way * A Love Like This * All I Want for Christmas * The Christmas Box * The Delta Queen * Double or Nothin' * Every Day of the Week Is a Saturday * Growing Up Catholic * Holier Than Thou * I Am Here to Stay * I Could've Gone to Nashville * I Just Want to Be a Star * I Left Him There * I'll Find a Song to Sing * If I Were a Catholic * Life Is a Game of Chance * My Fat Is My Fortune * No One Cared Like You * Nunsense Is Habit-Forming * Play a Country Enut * Santa Ain't Comin' to Our House * Say It in Yiddish * What Would Elvis Do?.
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More about this title
About the Composer: Dan Goggin
Dan Goggin is a composer and lyricist who created the Nunsense franchise, a theatrical phenomenon that has entertained audiences across multiple generations since its 1985 Off-Broadway debut. His work blends comedy with genuine melodic charm, crafting songs that serve as vehicles for humor while remaining musically substantive enough to engage performers and audiences alike.
Why we love this
This collection captures the comedic spirit of Nunsense while offering pianists and singers accessible arrangements of genuinely fun material. The piano/vocal format makes these pieces practical for recitals, auditions, or casual performance contexts where you want something with personality and immediate audience appeal. Goggin's melodies sit well in the voice and translate naturally to the keyboard.
What to expect
The music captures theatrical warmth and comedic irreverence in equal measure. These songs balance accessibility with genuine melodic interest, allowing performers to find both the humor and the heart in the material.
Who it's for
Pianists and singers preparing audition or recital material will find accessible, performance-ready arrangements with built-in entertainment value. Music theater programs, community theaters, and piano studios can use these pieces for performers who want repertoire with personality and humor. This collection works equally well for soloists and as part of a larger Nunsense program.
How to get the most out of it
- Shape the vocal line with clear diction and comedic timing; these songs live or die on how cleanly you land the punchlines and lyrical jokes
- Use the chord symbols to guide your comping style rather than treating them as strict voicing instructions, allowing room for interpretation that matches the song's character
- Balance the piano part between supporting the vocal and maintaining musical momentum on its own; these arrangements can stand alone if needed
How to use it
Individual selections work beautifully as recital pops numbers or audition pieces for music theater programs. You can program single songs to demonstrate a performer's ability to handle character roles and comedic material, or draw multiple selections for a revue-style concert celebrating musical theater.
Skills your students will build
- Comedic timing and character interpretation in sung material
- Reading piano/vocal score layout with chord symbols
- Collaborating between voice and keyboard to balance accompaniment and melodic line
- Sustaining performance energy in character-driven comic songs