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Partners in Song: Teacher's Handbook & Online PDF/Audio

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Partners in Song: Teacher's Handbook & Online PDF/Audio

10 Playful Partner Songs for Young Singers

By Mary Donnelly and George L. O. Strid

Item: 00-48269

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Description
Familiar song + original countermelody = instant harmony! This fun-filled collection gathers familiar folk songs, spirituals, and holiday tunes into a practical resource you can use onstage and in the classroom all year long. Reproducible singer pages make it easy to help students find and mark their individual parts while giving your budget a break! Recommended for grades 2--7. Titles: Makin' Music on the Erie Canal * Peaceful River * Play Ball! * Sing, Cielito Lindo! * Yankee Doodle Song * Christmas Calypso * Hanukkah Dreidel * A Holiday Fiesta * Lullaby Noel * Music in the Air.

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Additional Details
Publisher: Alfred Music
Page Count: 72
ISBN10: 1-4706-4317-0
ISBN13: 978-1-4706-4317-1
UPC: 038081555935
SKU: 00-48269

More about this title

About the Composer: Mary Donnelly

Mary Donnelly

Mary Donnelly grew up in Reno, Nevada, and initially pursued English and French at the University of Nevada, Reno. During her undergraduate years, she organized two children's choruses, a experience that redirected her toward music education. She earned a Master's Degree in Education from Lesley College in Cambridge, Massachusetts, with coursework focused on interdisciplinary arts integration in elementary and secondary settings.

In 1985, Donnelly began collaborating with George L. O. Strid while co-teaching sixth grade general music in Washoe County schools. Their partnership began with a musical commission for Reading Week and has sustained for decades, producing over two hundred songs and twenty-five staged works. A member of ACDA, NEA, and ASCAP, Donnelly has spent thirty years in the classroom before retiring and continues to contribute actively to choral and music education literature.

Why we love this

This handbook delivers something elementary and middle school choral directors genuinely need: a vetted collection of accessible partner songs that require no additional arrangements or instrumentation. The countermelodies feel natural rather than tacked-on, giving every student a genuine harmonic role, and the reproducible singer pages mean you're not spending budget dollars on consumables while still giving each singer their own marked part.

What to expect

Grounded and warm, with a straightforward musical friendliness that comes from working with genuine folk idioms and holiday traditions. The countermelodies enhance rather than overwhelm, creating the satisfaction of real harmony without the complexity that can derail young singers.

Who it's for

General music teachers and choral directors working with grades 2 through 7 who need repertoire that works in both classroom and performance contexts without eating into already-tight music budgets. This resource is ideal for teachers seeking to build ensemble skills while honoring familiar material that students and families recognize.

How to get the most out of it

  • Mark the parts clearly on your own copy before distributing reproducible pages so you can demonstrate each line and show how they interact rhythmically and melodically.
  • Start with unison rehearsals of the primary tune so your students internalize the melody before adding the countermelody, then layer voices gradually.
  • Use the original tuning and cultural context of each folk song as entry points for conversation; a quick story about the Erie Canal or Hanukkah traditions deepens engagement.
  • Rotate singers between melody and countermelody across rehearsals so everyone builds facility with both lines and understands how parts support one another.

How to use it

Seasonal selections make natural choices for holiday concerts and spring programs, but the year-round repertoire works equally well in monthly classroom showcases or as part of a general music curriculum that cycles through cultural traditions. Several titles can anchor a program segment celebrating diverse musical heritages across a concert.

Skills your students will build

  • Part singing and harmonic awareness through accessible countermelodies
  • Sight-reading in treble or unison voices across multiple keys
  • Cultural literacy in folk songs, spirituals, and holiday traditions from different communities
  • Sustaining independent vocal lines while listening to other parts
  • Ensemble blend and intonation in a collaborative setting

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