Over the Rainbow Sheet Music Preview

Over the Rainbow: Piano/Vocal/Chords

20 Great American Songbook and Jazz Favorites

Item: 00-PS-0015567

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Description
The crowd-pleasing standards in this sheet music collection belong in every musician's repertoire. This songbook contains 20 piano/vocal arrangements of classic songs that are guaranteed to delight audiences of all ages. Complete lyrics and chord symbols are included. Titles: Ain't Misbehavin' * At Last * Blue Moon * Don't Get Around Much Anymore * Don't Sit Under the Apple Tree * I Put a Spell on You * I'm in the Mood for Love * Laura * Misty * Moonlight Serenade * My Man * Theme from New York, New York * Orange Colored Sky * Over the Rainbow * The Pink Panther * The Shadow of Your Smile * Straighten Up and Fly Right * Take Five * What a Wonderful World * Whatever Lola Wants.

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Additional Details
Series: Top-Requested Sheet Music
Publisher: Alfred Music
Page Count: 80
SKU: 00-PS-0015567

More about this title

About the Composer: Harold Arlen

Harold Arlen (1905-1986) composed some of the most enduring melodies in American popular music, with a gift for writing songs that feel both sophisticated and instantly singable. His catalog spans Broadway, film, and the Great American Songbook, and his harmonic sensibility influenced generations of jazz musicians and arrangers. Arlen's work remains a cornerstone of vocal pedagogy because his melodies reward careful phrasing while his chord changes engage pianists and guitarists at every level.

Why we love this

This collection captures what makes Arlen's writing so teachable: melodies that sit beautifully in the voice, chord progressions that invite jazz interpretation, and songs familiar enough to draw an audience in immediately. Having 20 essential standards in one songbook eliminates the hunt for legitimate sheet music and gives singers and pianist/guitarist duos immediate access to material that works equally well in lessons, recitals, and informal performances.

What to expect

Opening these pages feels like stepping into a jazz lounge or a golden-age film score. The melodies are warm and familiar, the harmonies lean into blues and jazz sensibilities without becoming overly complex, and the whole collection radiates the kind of sophisticated charm that makes audiences lean in and listen.

Who it's for

This collection serves singers preparing jazz standards repertoire, pianist/vocalist duos seeking quality arrangements, and guitarists who want accessible chord charts for classic tunes. It's equally useful for music teachers building a standards curriculum and for serious students assembling a recital repertoire.

How to get the most out of it

  • Listen to multiple interpretations of each song before settling on a tempo and feel. A ballad like 'Misty' demands space for rubato, while 'Straighten Up and Fly Right' asks for rhythmic precision and swing.
  • Treat the chord symbols as a conversation starter, not a prescription. Work with your accompanist to voice chords in ways that support the vocal line and match your chosen style, whether that's straight-ahead jazz or a more contemporary arrangement.
  • Pay attention to lyrical storytelling in pieces like 'My Man' and 'Whatever Lola Wants,' where the emotional arc shapes phrase length and dynamic shape more than the melody itself.
  • Mark breath points in the vocal line before you rehearse, especially in longer phrases common in standards. Breathing smartly preserves legit and allows you to shape the line intentionally.

How to use it

Program these songs as a full concert theme (an evening of standards), scatter them throughout a season to appeal to listeners who love classic American music, or use individual pieces as encore material. They also work beautifully as teaching repertoire for students learning to navigate jazz voicings and swing phrasing.

Skills your students will build

  • Reading chord symbols and realizing them on keyboard and guitar
  • Jazz phrasing and swing rhythm interpretation
  • Navigating jazz harmonies (ii-V progressions, altered dominants, tritone substitutions)
  • Balancing vocal line with piano or guitar accompaniment
  • Breath management and lyrical phrasing in longer melodic phrases
  • Stylistic authenticity in Great American Songbook performance

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