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Our Small World: Piano Book

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Our Small World Cover Image

Our Small World: Piano Book

13 Early-Level Piano Solos with Words

By Lynn Freeman Olson

Level: Early Elementary

Item: 00-CHBK09977A

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Description
This collection of 13 songs offers variety, humor, and charm for the early elementary pianist. The songs reinforce note recognition using different stationary hand positions. Teacher duets are included for every piece. Rests are minimally used to increase student awareness of melodic shaping. Captivating selections include Popping Corn * Hiking Song * Danny Dolphin * My Pony * Summer Nights * Butterfly * I Made a Valentine and more. A Federation Festivals 2024-2028 selection.

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Additional Details
Publisher: Alfred Music
Page Count: 16
ISBN10: 0-7579-0737-7
ISBN13: 978-0-7579-0737-1
UPC: 654979018902
SKU: 00-CHBK09977A

More about this title

About the Composer: Lynn Freeman Olson

Lynn Freeman Olson is a composer whose teaching music spans decades of classroom piano instruction. Her catalog reflects deep understanding of how young pianists learn, combining melodic appeal with pedagogical clarity.

Why we love this

Olson's sequencing of hand positions gives students concrete, achievable landmarks rather than scattered note reading across the staff. The inclusion of teacher duets transforms practice into genuine collaboration, and the deliberate restraint with rests keeps students focused on shaping phrases rather than counting silence.

What to expect

Bright and accessible, with titles that spark imagination and melodies that stick. The pieces have genuine character without being cutesy; a song about popping corn feels playful and energetic, while Butterfly and Summer Nights invite more lyrical playing.

Who it's for

Early elementary pianists building fluency in note recognition and hand position control. This book works equally well in private studio lessons and group piano classes where reinforcing hand positions is the instructional priority.

How to get the most out of it

  • Play the teacher duet at a steady tempo even when the student hesitates; this anchors the student's sense of pulse and prevents note-by-note creeping.
  • Ask your student to sing or hum the melody before playing, especially on pieces like Butterfly and Danny Dolphin, to internalize the melodic shape before wrestling with hand position shifts.
  • Because rests are minimal, emphasize the moments where they do occur as natural breathing points; they signal the end of a musical thought, not just a gap in sound.

How to use it

Ideal for end-of-year recitals where you want variety without overwhelming your young performers. Select complementary pieces from the collection to create a cohesive program that shows growth in hand position and melodic awareness over the course of a level.

Skills your students will build

  • Reading notes in different hand positions on the grand staff
  • Recognizing and maintaining consistent hand posture while moving between positions
  • Shaping melodies with awareness of phrase contour
  • Playing with a steady pulse while reading melodic material
  • Collaborating with a teacher accompanist and responding to ensemble timing

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