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One World: 2-Part Choral Octavo

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One World Cover Image

One World: 2-Part Choral Octavo

In Harmony

Words and music by Sally K. Albrecht and Jay Althouse

Item: 00-38033

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Description
A stirring text combined with solid choral writing make this an ideal choice for concerts and festivals. A dramatic choral work, full of strength, power, and determination. "We are one world with one dream, and when we sing together peace and harmony is the theme." Featured on Lift Me Up! choral movement DVD (00-38171). Check this out! https://leapingbrain.com/modshop/product/?shop=9&product=5659

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, One World: 2-Part Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081425054
SKU: 00-38033

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has built a career on choral music that moves both singers and audiences. With over 600 choral publications to her name and recognition as an annual ASCAP Special Music Award recipient since 1987, she has shaped choral repertoire for generations of students. Her work conducting honor choirs at Lincoln Center, Carnegie Hall, and The Kennedy Center, combined with three decades leading choral publications at major educational publishers, reflects her deep understanding of what works in rehearsal and on stage.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979), and has taught at Oakland University, Jersey City State College, and Meredith College. She and her husband, composer and arranger Jay Althouse, live in North Carolina. Her leadership extends beyond the page: she chaired the Board of Trustees for Omicron Delta Kappa National Leadership Honor Society and received their Pillar of Leadership award, along with Distinguished Alumna Awards from both the University of Miami Frost School of Music and Rollins College.

Why we love this

Albrecht and Althouse craft choral writing that sits comfortably in young voices while delivering genuine dramatic impact. The text speaks directly to students about unity and purpose—themes that resonate in rehearsal and create meaningful performance moments. The inclusion of movement and staging suggestions transforms this from a concert piece into an experience your singers will feel invested in sharing.

What to expect

Energetic and purposeful, with a sense of building momentum. The writing feels inclusive and achievable even as it conveys strength and determination. There's an earnestness to the text that lifts the piece beyond typical concert fare, creating an experience where singers feel they're part of something larger than themselves.

Who it's for

Two-part choirs seeking a piece with real purpose and dramatic presence. This works for middle school and early high school ensembles, as well as community and festival choirs looking for contemporary secular repertoire that engages singers with a message of connection.

How to get the most out of it

  • Balance the message with the music: the text about unity carries weight, so allow time in rehearsal for students to understand what they're singing about before diving into blocking or staging.
  • Layer the movement suggestions gradually. If your singers are new to choreography, introduce gestures in sections rather than teaching the full piece at once.
  • Use the recorded accompaniment to lock in ensemble precision, especially if you're incorporating staging that requires coordination between voice parts.
  • Shape the climax with dynamic contrast. Mark the points where the piece builds and the moments where it pulls back; this gives your singers physical and emotional landmarks to aim for.

How to use it

Ideal as a finale or centerpiece for a concert centered on themes of community, hope, or togetherness. The dramatic staging potential also makes it an excellent choice for spring festivals or assembly programs where visual impact enhances the choral sound. Consider pairing it with quieter, introspective pieces to showcase the dynamic range of your choir.

Skills your students will build

  • Two-part voicing and blend across part independence
  • Building and sustaining dramatic climaxes
  • Coordinating sung text with staged movement
  • Ensemble precision with recorded accompaniment

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