One Foot: SATB Choral Octavo
Words and music by Ben Berger, Ryan McMahon, Ryan Rabin, Eli Maiman, Nicholas Petricca, Kevin Ray, and Sean Waugaman / arr. Alan Billingsley
Item: 00-PO-0005885
Minimum order quantity: 20 copies
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Description
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More about this title
Why we love this
This arrangement captures what made the original hit so irresistible: that propulsive rock groove and the infectious, slightly offbeat charm of the melody. A pop song that actually works for SATB voices without losing its edge is rare, and this one invites real choreography and audience engagement rather than just asking for it.
What to expect
Driving, playful, and unapologetically modern. The steady rock beat and quirky melodic hooks create a sense of forward momentum that's impossible to ignore, making this feel like a flash mob waiting to happen rather than a traditional choral piece.
Who it's for
Choirs looking to program contemporary pop that connects with younger singers and audiences without sacrificing solid arranging. High school and college choirs will find this especially valuable for concerts that need energy, accessibility, and a touch of fun.
How to get the most out of it
- Lock the rhythm section (rhythm, bass, drums parts if using accompaniment) into a tight pocket before layering in the vocal parts; the groove lives in that consistency.
- Keep the tone conversational and energetic in the verses; resist the urge to over-sing before the chorus hits.
- Emphasize the quirky phrasing of the chorus melody so the humor and hook read clearly to an audience.
- Use the recorded accompaniment to establish the rock groove and free your singers to commit to choreography or movement without worrying about tempo drift.
How to use it
Slot this into a pop or contemporary set to create an immediate mood shift and audience reconnection. It works equally well as a concert opener to grab attention or as a finale that leaves people smiling and talking about what they just heard.
Skills your students will build
- Singing pop/rock idioms with authentic groove and rhythmic precision
- Maintaining ensemble cohesion in a syncopated, contemporary texture
- Balancing choral blend with individuality in a four-part rock arrangement
- Coordinating singing with choreography or staged movement