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One Foot: Choral Octavo SoundTrax CD

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One Foot Cover Image

One Foot: Choral Octavo SoundTrax CD

Words and music by Ben Berger, Ryan McMahon, Ryan Rabin, Eli Maiman, Nicholas Petricca, Kevin Ray, and Sean Waugaman / arr. Alan Billingsley

Item: 00-47126

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Description
Walk the Moon exploded onto the music scene with the hit "Shut Up and Dance," and now they're back with another insanely unforgettable single from their third studio album, What If Nothing. A steady rock groove drives this quirky chorus that practically begs for choreography! Flash mob anyone?

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081538976
SKU: 00-47126

More about this title

Why we love this

Alan Billingsley's arrangement captures the propulsive energy of Walk the Moon's original without sacrificing the quirky charm that made this song a standout. The steady rock groove translates beautifully to voices, and the arrangement practically invites visual interpretation—your singers will feel the built-in momentum to move and perform.

What to expect

A shot of pure kinetic energy. The steady rock groove pulls you forward immediately, while the quirky chorus melody has just enough unexpected shape to keep things interesting. It feels modern, playful, and impossible to sit still through.

Who it's for

Choirs seeking contemporary repertoire with genuine chart appeal and built-in audience energy. This works for high school and community choirs comfortable with rock idiom and willing to embrace movement as part of performance.

How to get the most out of it

  • Nail the rhythmic precision of the groove. Lock your singers into a tight subdivision during rehearsal; the pocket here is everything. Have the rhythm section (or your recorded accompaniment) drive tempo, and ask singers to feel the pulse in their bodies before they shape the phrases.
  • Lean into the quirky character of the chorus. This isn't polished pop; it's playful and a bit off-kilter. Encourage your singers to commit fully to the personality of the melody rather than smoothing out its edges.
  • Layer in choreography early. Even simple, synchronized movement will elevate this arrangement. Start with a basic step or hand pattern during early rehearsals so singers internalize the groove kinesthetically.

How to use it

Program this as a high-energy moment in a mixed concert, or pair it with other contemporary pop selections to create a cohesive set. It works especially well as a closer when you want the audience leaving with a smile and a beat stuck in their heads.

Skills your students will build

  • Rhythmic precision in a rock groove
  • Singing with contemporary pop style and diction
  • Coordinating movement with sung ensemble parts
  • Interpreting quirky melodic shapes with character

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