One Foot Cover Image

One Foot: 2-Part Choral Octavo

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One Foot Cover Image

One Foot: 2-Part Choral Octavo

Words and music by Ben Berger, Ryan McMahon, Ryan Rabin, Eli Maiman, Nicholas Petricca, Kevin Ray, and Sean Waugaman / arr. Alan Billingsley

Item: 00-47125

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Description
Walk the Moon exploded onto the music scene with the hit "Shut Up and Dance," and now they're back with another insanely unforgettable single from their third studio album, What If Nothing. A steady rock groove drives this quirky chorus that practically begs for choreography! Flash mob anyone?

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, One Foot: 2-Part Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 20
UPC: 038081538969
SKU: 00-47125

More about this title

About the Composer: Ben Berger

Ben Berger is a songwriter and producer who has shaped the sound of contemporary pop and rock music across multiple genres and collaborative contexts. His work demonstrates a keen ear for infectious melodies, rhythmic innovation, and the kind of hooks that stick with listeners long after the first listen.

Why we love this

Alan Billingsley's arrangement captures the infectious energy of "One Foot" while keeping the voicing accessible for 2-part choirs. The steady rock groove and quirky character of the original translate beautifully to a choir setting, giving your singers a contemporary song they'll actually want to sing. This is the kind of piece that energizes rehearsals and gives choirs a modern, relevant repertoire option.

What to expect

"One Foot" bounces with youthful energy and playfulness. The steady rock groove propels the song forward while the quirky chorus creates a sense of fun and movement that practically invites choreography. It's the kind of piece that feels both familiar and fresh, blending modern pop sensibility with the excitement of group singing.

Who it's for

This arrangement works for middle school through high school choirs looking to add contemporary, accessible repertoire to their concert. It's ideal for groups ready to explore modern pop and rock styling without extensive vocal complexity. Singers respond to music they hear on the radio, and this piece connects that world directly to the choir room.

How to get the most out of it

  • Lock in the rhythmic pulse early. This arrangement thrives on a tight, confident backbeat, so establish the groove during your first read-through and return to it often in rehearsal.
  • Treat the two parts as distinct voices rather than doubling. Part 1 and Part 2 each have their moment in the spotlight, so help singers understand when they're carrying the melody versus providing harmonic foundation.
  • Lean into the quirk. The song's charm lies partly in its unexpected twists and playful character. Encourage singers to commit to the attitude of the piece rather than singing it straight.
  • If using the recorded accompaniment, rehearse with it early and often so singers feel secure with the backing track's energy and tempo.

How to use it

This works perfectly as an opener or a mid-concert energizer on a mixed concert where you're balancing classical repertoire with contemporary selections. Pair it with other pop or secular arrangements for a cohesive set, or use it as a standalone crowd-pleaser that demonstrates your choir's versatility. Its flashy character and approachable voicing make it an excellent choice for spring concerts or pops programs.

Skills your students will build

  • Singing in a contemporary pop/rock style with confidence and attitude
  • Maintaining rhythmic precision in a steady groove with syncopation
  • Balancing part independence with ensemble blend
  • Interpreting dynamic contrast and accent within a 2-part texture
  • Responding to recorded accompaniment with secure intonation and ensemble awareness

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