Once Cover Image

Once: Choral Octavo SoundTrax CD

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Once Cover Image

Once: Choral Octavo SoundTrax CD

Choral Highlights

Featuring the music of Glen Hansard / arr. Lisa DeSpain

Item: 00-40013

$27.99
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Description
Based on the Academy Award-winning film featuring the music of Glen Hansard, this musical was also a multiple Tony winner. An artistic five-minute medley.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081446721
SKU: 00-40013

More about this title

About the Artist: Glen Hansard

Glen Hansard is an Irish musician, vocalist, and composer best known as the lead singer of the folk rock band The Frames. His work on the Academy Award-winning film "Once" (2006) brought his songwriting to international prominence, earning him an Oscar for Best Original Song alongside collaborator Markéta Irglová. Since then, he has continued to perform and compose across film, theater, and live music contexts.

Hansard's songwriting style combines intimate folk sensibilities with emotional directness, drawing listeners into narratives of connection and vulnerability. His influence on contemporary musical theater has made his work a valuable resource for choirs seeking material that resonates with both performers and audiences.

Why we love this

This medley captures the emotional authenticity that made "Once" such a cultural touchstone, and Lisa DeSpain's five-minute arrangement respects that intimacy while giving your choir a manageable, cohesive vehicle. The recorded accompaniment frees you to focus on the storytelling and ensemble blend that these songs demand, and the material feels genuinely fresh compared to standard pop choral fare.

What to expect

Intimate and introspective, with moments of quiet tenderness and subtle building emotion. The medley unfolds like a conversation between two people discovering connection, carrying the landscape of Dublin and the folk sensibility that runs through the film's narrative.

Who it's for

Choirs seeking contemporary material that appeals across age groups and doesn't require extensive instrumental accompaniment. Directors who want a single cohesive medley rather than multiple separate pieces, and ensembles ready to connect emotionally with their audience through understated, genuine storytelling.

How to get the most out of it

  • Lean into the conversational quality of the lyrics; these songs work best when the audience feels like they're overhearing a real exchange rather than watching a performance.
  • Use the recorded accompaniment to establish the tempo and groove, then resist the urge to overcomplicate your interpretation with overly polished vocal production.
  • Balance clarity in the text with the atmospheric quality the orchestration provides; the backing tracks are detailed enough that your choir doesn't need to fill every space.

How to use it

Program this as a bridge between your concert's heavier repertoire and a lighter closing number, or use it to open a pops concert where contemporary material takes center stage. It works equally well in a spring concert or a cabaret-style fundraiser where the audience expects genuine connection over technical display.

Skills your students will build

  • Interpreting folk-influenced vocal phrasing and natural diction
  • Balancing ensemble blend with conversational text delivery
  • Following recorded accompaniment while maintaining ensemble independence
  • Understanding arrangement choices in choral medleys

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