Once: Choral SoundPax
Choral Highlights
Featuring the music of Glen Hansard / arr. Lisa DeSpain
Item: 00-PK-0005978
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Once: Score | $8.00 | |
| Once: 1st Violin | $3.00 | |
| Once: Cello | $3.00 | |
| Once: String Bass | $3.00 | |
| Once: Guitar | $3.00 | |
| Once: Drums | $3.00 |
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Once: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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More about this title
About the Artist: Glen Hansard
Glen Hansard is an Irish musician, singer, and songwriter best known as the frontman of The Frames and for his work in the 2007 film Once. His raw, emotionally direct style bridged indie rock and folk traditions, earning him an Academy Award for Best Original Song (alongside Markéta Irglová) for "Falling Slowly" from the Once soundtrack. Hansard's music centers on vulnerability and authenticity, qualities that have made his compositions natural fits for choral arrangement and music education settings.
Why we love this
This medley captures the emotional heart of Once in a digestible five-minute arc, giving choirs access to material that feels genuinely contemporary without sacrificing musical depth. Lisa DeSpain's arrangement respects Hansard's melodic gift while creating a piece that lands powerfully in concert settings and connects with audiences who know the film.
What to expect
Intimate and yearning, with the quiet intensity of a street musician's confession. The medley structure builds emotional momentum across its five minutes, moving from sparse, vulnerable moments to fuller, more triumphant ones, mirroring the arc of the film itself.
Who it's for
Choirs of intermediate to advanced ability who want to program contemporary material with immediate appeal and cultural resonance. This works equally well for high school show choirs, community choruses, and college ensembles looking for a piece that feels fresh without demanding extended vocal technique.
How to get the most out of it
- Let the recorded accompaniment anchor your ensemble's initial run-throughs; it models phrasing and emotional timing that the song structure requires.
- Honor the simplicity in Hansard's melodies by resisting over-interpretation. The strength is in clarity and directness, not embellishment.
- Use the instrumental parts to create textural variety across the medley's sections, shifting from full choir to smaller voice groups to maintain listener interest across five minutes.
How to use it
Program this as a standalone concert highlight, or pair it with other contemporary pop arrangements to create a cohesive set that speaks to modern repertoire. Its modest length makes it an excellent closer for a shorter concert or an opener that immediately captures audience attention and sets an emotional tone.
Skills your students will build
- Phrasing in contemporary idioms (rhythm and timing outside classical traditions)
- Blending pop and theatrical vocal production with ensemble discipline
- Navigating medley structure and sectional transitions
- Expressive delivery of emotionally direct material